Sunday Morning Reading

Drones may be circling and society may be circling the drain, but there’s always time for Sunday Morning Reading.

Drones may (or may not) be circling the skies overhead, but that doesn’t mean we shouldn’t keep our eyes peeled for some good writing and good reading. This week’s Sunday Morning Reading features a usual mix of writing on tech, Artificial Intelligence, politics, and culture. Buckle up and enjoy.

A man reading a newspaper on a porch with a sky full of drones and a cityscape background. AI generated

Speaking of Artificial Intelligence, Arvino Narayanan and Sayash Kapoor tell us that Human Misuse Will Make Artificial Intelligence More Dangerous. I’ve been saying that for a while and so have any number of science fiction writers. Still, this short piece is worth a read.

Matthew Ingram asks and answers the question Are AI Chatbots Good or Bad For Mental Health? Yes. Good read.

Reed Albergotti chronicles an interview with Google’s Sundar Pichai on Google going all in on AI and the next move,  Agentic AI. Check out Why Sundar Pichai Never Panicked.

Rounding out this group of links on AI, take a look at this intelligent and very human piece from NatashaMH. In No Society Left Behind she posits that AI will still leave us with uneven playing fields across the different strata of society.

John Gruber has an interesting piece On The Accountability of Unnamed Public Relations Spokespeople. It’s politics specific but it also speaks more broadly about the, in my opinion, decline of PR as an effective tool.

We still haven’t come to grips with the shooting of the United Health Care executive and the reaction to it. Adrienne LaFrance takes that as a cue for Decivilization May Already Be Under Way. I would argue it’s been under way for quite some time now. Itt’s just accelerating.

David Todd McCarty says We’re All Going to Need To Hunker Down For A Long-Ass Storm. I concur, although I fear it’s going to be looked back on as a major climate shift.

Dave Troy in the Washington Spectator gives us The Wide Angle: “Project Russia,” Unknown In The West, Reveals Putin’s Playbook. It will never ceae to amaze me how we let this one slip by us.

Looking back a bit in history take a look at this piece from the Atlantic’s 1940 issue called The Passive Barbarian by Lewis Mumford. With the exception of a few references in the article and the publication date, I bet you would think it had been written in this current moment.

And finally, with the holiday drone buzzing around us David Todd McCarty offers up Struggling To Find Peace In The Midst of Exuberant Joy.

If you’re interested in just what the heck Sunday Morning Reading is all about you can read more about the origins of Sunday Morning Reading here.  You can also find more of my writings on Medium at this link, including in the publications Ellemeno and Rome. You can also find me on social networks under my own name.

Breaking All The Molds: Emilia Pérez

A cross between a musical and a pop-opera, Emilia Pêrez is a unique story of transformation.

Breaking the mold is one way to describe the movie Emilia Pêrez. Breaking all of them is more apt. Imagine taking the making of movies, more specifically the making of movie musicals and creating something new, different, in the end probably not completely successful, yet you can’t take your eyes off of it.

Now imagine the story of that movie is about a ruthless Mexican drug cartel leader, who hires a lawyer to seek a sex change operation to become their true self, a woman. Put it all together and it is an intriguing adventure in story and cinematic story telling.

I won’t say it completely holds together, because I’m not sure it does. But it keeps turning in on itself and musical movie making in ways as daring as the titular character’s mission. In that lead role Karla Sofía Gascón is excellent, as are Zoe Saldaña as the lawyer, and Selena Gomez as the wife of the cartel boss.

But, it is Jacques Audiard’s work as a director that stands above all. Unfurling a story of transformation and redemption, this isn’t the first film featuring a story about a trans character, but it is certainly the one that spins out its story this way. I’d call it a pop-opera, but that too simple a definition as is calling it a musical.

The film was controversial when it debuted and won awards at Cannes, and in today’s climate I’m sure it will remain so. Quite frankly, that’s what gives the film some of its allure.

At its heart it is a story of transformation, mashed up with music, love, violence and full of surprise. Again, I’m not sure it holds together completely, but if you’re looking for something that plays around with convention while telling a surprising story, it is more than worth a watch.

Emilia Pêrez is playing on Netflix and you can watch the trailer below.

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome. I can also be found on social media under my name as above. 

Sunday Morning Reading

It’s a cold late Fall morning, with some crisp and cold writing for you in this week’s Sunday Morning Reading.

Sunday, it’s a Sunday. The Sunday after Thanksgiving and Black Friday, although every Sunday these days feels like it’s the Sunday after yet another Black Friday. Even so, it’s time for some Sunday Morning Reading. This week’s edition contains some somber writing, fitting for the onset of a winter of discontent and reflection, along with some thinking on the tech scene and vaccines. For good measure, there’s a history of dive bars at the end. Enjoy.

Leading off, David Todd McCarty’s piece I Was F*cking Wendy Under The Stars, The Night Elvis Died, reflects on the risks we take, and perhaps don’t take, in building a life.

Promises and Scars by Kelly Gawitt is an excellent piece of writing on second chances. We all need them.

Joan Westenberg says We’re Dying. Here’s How to Make Better Decisions. Joan’s Mortality Matrix is something to see.

Sam Roberts gives us a look back at a real heroine in Madeline Riffaud, ‘The Girl Who Saved Paris,’ Dies at 100. I’m thinking we might need some Madeline’s going forward.

Patrick Fealey offers a harrowing and personal inside look at homelessness in America in The Invisible Man.

Tim Berners-Lee, who conceived the World Wide Web is taking a crack at a new way our digital lives are stored online with a new venture called Solid. Harry McCracken takes a crack at explaining it all in The Man Who Gave Us The Web Is Building A Better Digital Wallet. Hope it works.

Christopher Mims says that Googling Is For Old People. That’s A Problem For Google. The lede is fantastic:

If Google were a ship, it would be the Titanic in the hours before it struck an iceberg—riding high, supposedly unsinkable, and about to encounter a force of nature that could make its name synonymous with catastrophe.

Vaccines. Who in their right mind thought we’d ever be debating anything about the miracle of vaccines? Donald G. McNeil Jr. says that Vaccines Will Have To Prove Themselves Again. The Hard Way. Warning: the “hard way” isn’t a pretty way.

And after all of that if you need a drink or two or three, check out Linze Rice’s piece on The History of Chicago’s Dive Bars, Once Called ‘The Vilest Holes In The City.’ Bottoms up.

If you’re interested in just what the heck Sunday Morning Reading is all about you can read more about the origins of Sunday Morning Reading here.  You can also find more of my writings on Medium at this link, including in the publications Ellemeno and Rome. You can also find me on social networks under my own name.

A Gentleman in Moscow is a Romantic Adventure With a Warning

An entertaining adventure in avoiding the tyranny of big men with small minds.

We’re in the process of another Thanksgiving/Black Friday ritual in our house. Saving some money by canceling entertainment streaming services and resubscribing via Black Friday deals. It’s a good time to save a few bucks going forward into the new year and to take inventory on what’s worth continuing or needs discarding.

A Gentleman in Moscow 2048x1152.

One of the things we do as a part of this tradition is make sure we catch up on things we’ve delayed watching on the services we won’t renew, so this week we’ve finally tuned in to A Gentleman In Moscow on Paramount/Showtime. The show is quite a delight, as was the original book by Amor Towles. As I am enjoying viewing, I can’t help but notice many moments that should serve as a warning for us here in America for what’s most likely to come in our near future.

Before the warning, first a quick summary of the show.

A Russian aristocrat, Count Alexander Ilyich Rostov, sent away from his home country after wounding another in a duel, returns home to a chaotic Moscow after the Bolshevik Revolution. He takes up residence at the grand Hotel Metropol and is seized, like so many of the aristocratic class, by forces now in control. Some government officials believe a revolutionary poem attributed to him, mark him as a hero of the revolution and spare his life, but sentence him to house arrest in the Hotel Metropol. If he walks out of the hotel, he is to be arrested and shot.

Throughout the remainder of his life and internment, he meets and befriends residents and staff of the hotel and begins a surprising alliance with the Russian agent assigned to his case, while constantly being dogged by the spies placed in the hotel to watch him and other residents, including a smarmy government collaborator who uses his new found power to rise to the position of manager of the hotel.

The story is told very romantically, with wistful nods to traditions lost and crushing change constantly in conflict. He finds himself at the center of adventures and intrigue throughout. In and of itself it is excellent viewing. Watching the characters learn to navigate the whipsaw changes Russia was undergoing, trying to survive while maintaining some sense of dignity and purpose, is the signature joy of both the book and the series.

That also leads to the warning I mentioned earlier that feels perhaps a bit too contemporary.

When you boil it all down all revolutions are essentially the same, regardless of the big ideas that motivate the change. In the case of Russia in 1917, it was the Bolshevik/Communist revolution. In this country it was the fight for American Independence from Britain. France, Russia again in the 20th century, the list goes on. As it appears at the moment, it is certainly possible years from now that we might look back on the events of 2024 as another such revolution if those on the winning side of the election fulfill promises made during the campaign. Very few such revolutions are bloodless. All are messy. Prices are paid.

What will happen, regardless, is that small men with small minds following big men with equally small minds, engorged with some self-serving sense of righteousness, will exact a toll on too many once in power. The Elon Musks, Tom Homans, Stephen Millers of the incoming administration are quite gleeful about causing pain with their plans for devastation. If you haven’t been paying attention to that, shame on you.

History and literature tell us this is feature of all revolutions. Once the worm turns, some of those who helped turn it can’t wait for their turn at the wheel. Once power is achieved, those who want to succeed, or in some cases, merely survive, will do anything to keep themselves on course, and in some cases prosper. And then there are others who merely surrender their principles or morality in order to go along. All become prey to those who crawl into the light to seek their moment in the sun.

When watching A Gentleman In Moscow, there are numerous examples of this, most tellingly the waiter who rises to hotel manager by reporting all he sees to the government security forces. Loyalty and betrayal are two sides of the same coin, too easily spent by those with small minds and big dreams. While big ideas always crush some going forward, big ideas don’t work without these small men doing the work. Note how ironically the MAGA dream of draining the swamp is filling up every available piece of dry land with swamp creatures of their own. Revolutions always target the bureaucracy and the bureaucrats on their way to becoming the same. Without them, the new system can’t bring down the old.

In an essay entitled MAGA’s Downward More Spiral, Damon Linker says: “Trumpism is seeking to advance a revolutionary transvaluation of values by inverting the morality that undergirds both traditional conservatism and liberal institutionalism. In this inversion, norms and rules that counsel and enforce propriety, restraint and deference to institutional authority become vices, while flouting them become virtues.

And then the circle begins again because the wheel always turns.

Certainly the big ideas between the Russian revolution of 1917 and what’s just happened in the United States are different, but only through ideology, if that. In Russia those at the top were on the way out in favor of “the people.” In our America, we’re just replacing one group of penthouse dwellers for another, with both sides being propped up by “the people.” For some twisted reason, “the people” who propelled Trump to victory haven’t yet grasped the roles they’ve been assigned and probably never will. Those at the top throughout history have always known “the people” are always ripe for the picking.

This has strayed far from just a recommendation for A Gentleman in Moscow, but contemporaneous events kept making small moments throughout the excellent series strike me with both sadness and trepidation as it presages what’s to come while feeling wistful for what we’re about to lose. The wheel does always turn and for a time the good guys can come out on top. But there are always those crushed as it churns ever onward. I highly recommend the series (and the book) as entertainments themselves, but also for what they presage.

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome. I can also be found on social media under my name as above. 

Happy Thanksgiving!

Happy Thanksgiving to those who celebrate the holiday.

Thanksgiving Dog and Cat Use.

May you find joy, comfort, laughter and love in the company of family and friends today. May your football team not embarrass you, and may your cup be full. Eat, drink, be merry, and give thanks for your blessings. My hunch is these holidays will too soon feel different going forward.

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome. I can also be found on social media under my name as above. 

A Nice Thanksgiving Day Tonic for Football Fans: ‘It’s In The Game’ Madden NFL

Fun behind the scenes look at the creation if the popular Madden NFL video game.

Football is, for better or worse, a Thanksgiving Day ritual. There’s always a game playing from morning until night. Before, during, and after meals. Before, during, and after naps. Sometimes the stakes don’t matter. Sometimes they do. It’s may not be the main course, but it’s that side-dish that’s shows up every Thanksgiving-loved by some, despised by some, but always a tradition.

If you’re unlucky enough to follow some of the teams playing this year, (Chicago Bears, NY Giants, Dallas Cowboys) who have put up dismal records so far, and you still need a football fix, It’s In The Game, Madden NFL might be a satisfactory substitute instead of watching the games those teams are scheduled to play. I’m not saying those games will suck, but chances are they’ll be background noise even before the tryptophan, the booze, or the gummies start to kick in

It’s In The Game Madden NFL  is currently streaming on Amazon Prime and the four episodes chronicle some of the victories and defeats behind the long running and popular Madden NFL video game franchise. If you’re a fan of the sport, the video game, or just a gamer in general, it’s fascinating backstage viewing, though not the best produced documentary I’ve seen. I haven’t played the game since the 90’s, but I’ve watched cousins, nephews, and a bevy of friends love it and play it far into adulthood. 

So, if you’re a football fan looking for a tonic that’s not really a palette cleanser you might want to check it out. The trailer is linked below.

 

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome. I can also be found on social media under my name as above. 

Robert LePage’s Hamlet without Words, Words, Words

Told through dance, LePage’s Hamlet is a thrill.

What a treat. Last night a group of us celebrated a friend’s birthday by attending the Robert LePage production of Hamlet. Billed as a Hamlet without words Le LePage collaborated with choreographer Guillaume Côté, who also danced the title role, to deliver a piece almost entirely as a ballet performed by a company of nine. It was an exquisite theatrical adventure. 

Hamlet 4 photo by Stephane Bourgeois.

With the exception of a few supertitles announcing character entrances for identification, the story unfolds and unfurls through dance, and Côté’s choreography was excellent throughout. Although, I felt the vocabulary he established for himself in the title role was not as strong or consistently surprising as it was for the rest of the ensemble. In and of itself surprising, because the entire story revolves around Hamlet’s surprising reactions to the events enfolding him. 

The true standout in the company was Carleen Zouboules as Ophelia. Her descent into madness, her drowning, and the graveyard scene were the highlights among many in the production. The entire ensemble were excellent and each had standout moments of their own.

LePage always surprises and Chicago audience were lucky to have this US premiere here. Thrilled I got to see it. There’s a trailer linked below, although it seems to have a larger ensemble than the nine person version we saw last night.

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome. I can also be found on social media under my name as above. 

 

Sunday Morning Reading

Delusions abound in this week’s Sunday Morning Reading.

If it’s Sunday, it is time for Sunday Morning Reading with interesting writing on a variety of topics, that without intending to all seem to involve delusions in one way or another. There’s also a little Procol Harum on the side. Enjoy reading, while you skip the light fandango.

Speaking of delusions, check out a piece by Michael Connors and Peter Halligan exploring What Delusions Can Tell Us About the Cognitive Nature of Belief. 

It’s no delusion that Artificial Intelligence remains in the news (before it eventually subsumes the news). Harry McCracken takes us a bit into the deep mind behind Google’s DeepMind in The Future According to Google DeepMind CEO Demis Hassabis. That first link takes you to the web version, this one takes you to the Apple News version of the article since the piece is a premium article for Fast Company readers.

Joan Westenberg has caught my eye of late (if you follow Sunday Morning Reading you should know that) and here are a couple of recently published dynamic pieces: Don’t Confuse Volume with Truth and Rebel Optimism: How We Thrive in a Broken World. Both worth your time.

We’re all complaining about a lot of things, the continued enshittification of the Internet being a familiar and well deserved  target. (It’s interesting that I use that term enshittification so frequently and yet spell check or any other type of check hasn’t picked it up yet.) Dave Winer is fighting the good fight on a lot of fronts and he looks at a new kind of enshittification in Billionaire-proof?

David Todd McCarty takes on the platitude “the meek shall inherit the earth” in The Children of Pacifists.

Ronan Farrow takes a look at The Technology The Trump Administration Could Use To Hack Your Phone. You know it’s going to happen. You know it most likely already has.

And to round things out this week, Ulf Wolf spools out an essay on the mostly forgotten Keith Reid of Procol Harum in The Shadow Member of Procol Harum. Not going to lie, I did spin up a copy of Whiter Shade of Pale while writing this week’s column. The Salty Dog album is cued up next.

If you’re interested in just what the heck Sunday Morning Reading is all about you can read more about the origins of Sunday Morning Reading here.  You can also find more of my writings on Medium at this link, including in the publications Ellemeno and Rome. You can also find me on social networks, including Bluesky, under my own name.

Check Out Buy Now! The Shopping Conspiracy

Worth a watch even without many surprises.

Here is the U.S we’re heading into the Thanksgiving holiday, already surrounded by the madness of Black Friday, coupled with anxiety brought about by the recent election. It feels like everyday has been Black Friday under dark cloudy political skies for too long already, and of course that will continue straight into Christmas and beyond. 

 Here’s a thought. If you gather with friends and family this Thanksgiving, instead of watching football or squabbling over politics, tune everybody into the Netflix documentary Buy Now! The Shopping Conspiracy. The trailer is embedded above.

This somewhat entertaining documentary (it’s presentation conceit feels a bit too cutesy for my tastes), tackles the problems of rampant consumerism through a prism of what happens to all the stuff we buy this Black Friday, those previous, those to come, and any other day of the year.

The highlights of the series are the short cut interviews with former employees of Amazon, Adidas, Apple, folks from the fashion industry, and activists who are trying to address the issues of the large amount of waste created with all of our purchasing power.

If you’ve even remotely been paying attention to the world, there won’t be any grand surprises about the large amounts of unrecyclable waste we’re swimming in and adding to. That said, hearing some of the folks who feel responsible for their own decisions that led their company down that path of excess discuss their shifts in thinking makes the piece worthwhile.

There also aren’t any real surprises in the way the documentary lays out the tricks of the marketing trade to convince us to buy more stuff. Addressing the issue through a perspective of saying we could all buy less certainly makes sense, but given we all know that the game is rigged no differently than carnival games are, it makes one wonder why we do keep coming back each time the circus tents get pitched. 

Style points and lack of surprises aside, Buy Now! The Shopping Conspiracy is worth viewing, especially I would think if you have younger ones in your holiday household who might still be impressionable.

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome. I can also be found on social media under my name as above. 

Sound and Fury with Apple TV Enhance Dialogue

Apple TV’s Enhance Dialogue works well until it doesn’t.

Apple introduced a feature I was very much looking forward to trying out this fall for tvOS 18. It’s called Enhance Dialogue. The theory behind the feature is simple: enhance the dialogue of what you’re watching so you can hear it. When my wife and I initially tested it we were quite pleased with the feature. But last night there was some weirdness.

Like so many features Apple (and others) release, new things seem to work out of the box. But then as updates rollout and things burn in, a bit of oddness creeps in.

Last night we were watching the finale of the Apple TV+ series Disclaimer. Things were rolling along just fine and then towards the end of the episode we stopped hearing dialogue. Characters became silent film stars and mimes with moving mouths, but no sound of dialogue was coming out. Underscoring continued.

Initially we thought this might be an artistic choice (a poor one.) What was happening in the story as it headed to its conclusion and then denouement could reasonably be understood without dialogue. But a tertiary character behind a nurse’s station uttered one line of dialogue, breaking the silence, and then immediately we went back to a silent film again.

I shouldn’t say completely silent. Background noises and conversations from background characters were coming through as ambience over the underscoring. Then a few moments later we heard some of the dialogue, but it was muffled and echo-y as though picked up by a distant microphone or layered on top in post of what we were supposed to be hearing. Every now and then we’d occasionally get those clear, one line bursts of dialogue. The conclusion I reached after this whole thing was over is that those lines in the clear must have been overdubbed and the muffled lines were due to be enhanced later.

We paused the episode and I turned on subtitles, revealing that there was indeed dialogue being spoken. We stopped the episode and tried again. Same result. I then went back to settings and turned off Enhance Dialogue. Voila. We were able to hear all the dialogue again.

I know lots of things are going on in the backend at Apple has they continue to roll out betas at a crazy pace trying to play catch up in the Artificial Intelligence game. I’ve written before on how this can have an effect on even non-beta users. What’s puzzling to me is that this doesn’t seem like a feature that should be affected by backend services. Perhaps I’m wrong. But we’ve watched several shows without this issue since first turning on Enhance Dialogue.

Here’s the thing. In my opinion, both the visual and audio elements of film making have pushed new technology envelopes a bit too far. We shouldn’t need a feature to enhance dialogue to overcome bad sound mixes that try to be as realistic, or unrealistic, as possible in the same way that we should still be able to view actors in dark scene. If you can’t see or hear the story, what’s the point of the story, or the technology? Sound and fury signifying not much.

Then again, I get it. Artists will tell you they are trying to make things look and sound as real as possible, or craft an environment that is all encompassing with all of the elements at their disposal. Too often they get carried away and lose us to ineffective story telling.

I had planned to write up a blog post saying how much the Enhance Dialogue feature was a winner after some success with the new feature. I can’t say for sure that there is direct causation between the new Enhance Dialogue feature and the dialogue dropout we experienced. I will say, that it’s easy to point a finger of correlation after new features are released and something, anything goes awry. For now, I’ll leave it as the Enhance Dialogue feature looks like it could possibly be a winner in our household. If it works as advertised. All the time. Every time.

I will also say again that if filmmakers did their jobs correctly this wouldn’t be necessary except for those watching who might need assistive technology. In my opinion, if story tellers start relying on this feature to be present (I know it exists on many smart TVs,) it will be to the detriment of their craft and artistry.

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome. I can also be found on social media under my name as above.