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Avoiding Thanksgiving Political Squabbles
Thanksgiving kicks off the end of year holiday season. Time to gather with family and friends and give thanks for our blessings. Time to get tied up in traffic or airports. Deal with weather delays. Pass illnesses around like we pass the potatoes, (hopefully not COVID), and either argue over our political differences or sit around the fire pretending that those chasms don’t exist.

Yeah, it’s a time for anxiety and has been for almost a decade now. So much so that it has become a political cliché and a sad shortcut for what we’re all living through. Certainly there’s joy to be found in the warmth and good company of family and friends, but in my life those circles are smaller than they used to be.
In the early years of the first Trump administration I didn’t initially shy away from arguing politics at family gatherings. It was largely a fruitless endeavor. We knew less then than we do now. After a few bouts of that my wife and I agreed that we’d just keep our opinions to ourselves going forward to avoid the aggravation. We largely did, even in the face of being baited now again by Trump worshipping, Fox loving sycophants.
We’ve largely tried to adhere to that avoidance game in the wake of this year’s calamitous election. We’ve actually turned down an invitation or two and will probably do so again in the future. While we’ll avoid conflict and aggravation when we can, I’ve made it plain in our house that I won’t hold my tongue going forward if someone tosses out the bait.
This Thanksgiving we’re fortunate in that we’re going to a small celebration with family and friends who view the world much the way we do, so that should be anxiety free. This scheduling has nothing to do with the political situation and we’re thankful for that. But we know there will be other invitations forthcoming during the next month or so.
With that in mind I’ve developed my response in case those show up. Here it is:
Thanks for the invitation. We’d love to attend. Before we accept there a few things I want to make clear. We know we disagree on politics, and while we’ve largely avoided that topic at past gatherings, it is important for you to know that I feel I can no longer avoid doing so. Preemptively, I am sharing some feelings and beliefs important to me.
You may not believe it, but I feel we’re heading into a dangerous and difficult time that will see much of how we’ve both viewed the world come to a crashing end. I could go on and on about Donald Trump’s lack of character and disastrous policies, and the ignorance of those who elected him, but in the interest of brevity I’ll boil all of that down to the single, simplest reason why I don’t want to spend time with you pretending.
Donald Trump, among many things, is a rapist and a misogynist. He’s attempting to surround himself with others just like him, proving to me, and the world, just how insignificant and dispensable he thinks women are. Rape is a violent act, and shows tremendous disregard for every human being. If someone thinks rape can be overlooked, there’s not much else that they won’t do to hurt other human beings.
In my opinion, it’s beyond disqualifying someone from office and participation in society. Further, anyone who voted for him can’t overlook the fact that they are comfortable viewing rape and misogyny as acceptable as well. There are no trade-offs for some other policy or viewpoint that excuses that type of behavior.
I won’t argue the point with you. To me, it’s not debatable. I also have no respect for anyone might try and change my opinion on the matter.
I’m not asking you to change your views, they are already apparent and yours to own. But I believe it is important for you to have no doubt about mine.
Happy Holidays
You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome. I can also be found on social media under my name as above.
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Robert LePage’s Hamlet without Words, Words, Words
What a treat. Last night a group of us celebrated a friend’s birthday by attending the Robert LePage production of Hamlet. Billed as a Hamlet without words Le LePage collaborated with choreographer Guillaume Côté, who also danced the title role, to deliver a piece almost entirely as a ballet performed by a company of nine. It was an exquisite theatrical adventure.

With the exception of a few supertitles announcing character entrances for identification, the story unfolds and unfurls through dance, and Côté’s choreography was excellent throughout. Although, I felt the vocabulary he established for himself in the title role was not as strong or consistently surprising as it was for the rest of the ensemble. In and of itself surprising, because the entire story revolves around Hamlet’s surprising reactions to the events enfolding him.
The true standout in the company was Carleen Zouboules as Ophelia. Her descent into madness, her drowning, and the graveyard scene were the highlights among many in the production. The entire ensemble were excellent and each had standout moments of their own.
LePage always surprises and Chicago audience were lucky to have this US premiere here. Thrilled I got to see it. There’s a trailer linked below, although it seems to have a larger ensemble than the nine person version we saw last night.
You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome. I can also be found on social media under my name as above.
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Sunday Morning Reading
If it’s Sunday, it is time for Sunday Morning Reading with interesting writing on a variety of topics, that without intending to all seem to involve delusions in one way or another. There’s also a little Procol Harum on the side. Enjoy reading, while you skip the light fandango.

Speaking of delusions, check out a piece by Michael Connors and Peter Halligan exploring What Delusions Can Tell Us About the Cognitive Nature of Belief.
It’s no delusion that Artificial Intelligence remains in the news (before it eventually subsumes the news). Harry McCracken takes us a bit into the deep mind behind Google’s DeepMind in The Future According to Google DeepMind CEO Demis Hassabis. That first link takes you to the web version, this one takes you to the Apple News version of the article since the piece is a premium article for Fast Company readers.
Joan Westenberg has caught my eye of late (if you follow Sunday Morning Reading you should know that) and here are a couple of recently published dynamic pieces: Don’t Confuse Volume with Truth and Rebel Optimism: How We Thrive in a Broken World. Both worth your time.
We’re all complaining about a lot of things, the continued enshittification of the Internet being a familiar and well deserved target. (It’s interesting that I use that term enshittification so frequently and yet spell check or any other type of check hasn’t picked it up yet.) Dave Winer is fighting the good fight on a lot of fronts and he looks at a new kind of enshittification in Billionaire-proof?
David Todd McCarty takes on the platitude “the meek shall inherit the earth” in The Children of Pacifists.
Ronan Farrow takes a look at The Technology The Trump Administration Could Use To Hack Your Phone. You know it’s going to happen. You know it most likely already has.
And to round things out this week, Ulf Wolf spools out an essay on the mostly forgotten Keith Reid of Procol Harum in The Shadow Member of Procol Harum. Not going to lie, I did spin up a copy of Whiter Shade of Pale while writing this week’s column. The Salty Dog album is cued up next.
If you’re interested in just what the heck Sunday Morning Reading is all about you can read more about the origins of Sunday Morning Reading here. You can also find more of my writings on Medium at this link, including in the publications Ellemeno and Rome. You can also find me on social networks, including Bluesky, under my own name.
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Check Out Buy Now! The Shopping Conspiracy
Here is the U.S we’re heading into the Thanksgiving holiday, already surrounded by the madness of Black Friday, coupled with anxiety brought about by the recent election. It feels like everyday has been Black Friday under dark cloudy political skies for too long already, and of course that will continue straight into Christmas and beyond.
Here’s a thought. If you gather with friends and family this Thanksgiving, instead of watching football or squabbling over politics, tune everybody into the Netflix documentary Buy Now! The Shopping Conspiracy. The trailer is embedded above.
This somewhat entertaining documentary (it’s presentation conceit feels a bit too cutesy for my tastes), tackles the problems of rampant consumerism through a prism of what happens to all the stuff we buy this Black Friday, those previous, those to come, and any other day of the year.
The highlights of the series are the short cut interviews with former employees of Amazon, Adidas, Apple, folks from the fashion industry, and activists who are trying to address the issues of the large amount of waste created with all of our purchasing power.
If you’ve even remotely been paying attention to the world, there won’t be any grand surprises about the large amounts of unrecyclable waste we’re swimming in and adding to. That said, hearing some of the folks who feel responsible for their own decisions that led their company down that path of excess discuss their shifts in thinking makes the piece worthwhile.
There also aren’t any real surprises in the way the documentary lays out the tricks of the marketing trade to convince us to buy more stuff. Addressing the issue through a perspective of saying we could all buy less certainly makes sense, but given we all know that the game is rigged no differently than carnival games are, it makes one wonder why we do keep coming back each time the circus tents get pitched.
Style points and lack of surprises aside, Buy Now! The Shopping Conspiracy is worth viewing, especially I would think if you have younger ones in your holiday household who might still be impressionable.
You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome. I can also be found on social media under my name as above.
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Sound and Fury with Apple TV Enhance Dialogue
Apple introduced a feature I was very much looking forward to trying out this fall for tvOS 18. It’s called Enhance Dialogue. The theory behind the feature is simple: enhance the dialogue of what you’re watching so you can hear it. When my wife and I initially tested it we were quite pleased with the feature. But last night there was some weirdness.

Like so many features Apple (and others) release, new things seem to work out of the box. But then as updates rollout and things burn in, a bit of oddness creeps in.
Last night we were watching the finale of the Apple TV+ series Disclaimer. Things were rolling along just fine and then towards the end of the episode we stopped hearing dialogue. Characters became silent film stars and mimes with moving mouths, but no sound of dialogue was coming out. Underscoring continued.
Initially we thought this might be an artistic choice (a poor one.) What was happening in the story as it headed to its conclusion and then denouement could reasonably be understood without dialogue. But a tertiary character behind a nurse’s station uttered one line of dialogue, breaking the silence, and then immediately we went back to a silent film again.
I shouldn’t say completely silent. Background noises and conversations from background characters were coming through as ambience over the underscoring. Then a few moments later we heard some of the dialogue, but it was muffled and echo-y as though picked up by a distant microphone or layered on top in post of what we were supposed to be hearing. Every now and then we’d occasionally get those clear, one line bursts of dialogue. The conclusion I reached after this whole thing was over is that those lines in the clear must have been overdubbed and the muffled lines were due to be enhanced later.
We paused the episode and I turned on subtitles, revealing that there was indeed dialogue being spoken. We stopped the episode and tried again. Same result. I then went back to settings and turned off Enhance Dialogue. Voila. We were able to hear all the dialogue again.

I know lots of things are going on in the backend at Apple has they continue to roll out betas at a crazy pace trying to play catch up in the Artificial Intelligence game. I’ve written before on how this can have an effect on even non-beta users. What’s puzzling to me is that this doesn’t seem like a feature that should be affected by backend services. Perhaps I’m wrong. But we’ve watched several shows without this issue since first turning on Enhance Dialogue.
Here’s the thing. In my opinion, both the visual and audio elements of film making have pushed new technology envelopes a bit too far. We shouldn’t need a feature to enhance dialogue to overcome bad sound mixes that try to be as realistic, or unrealistic, as possible in the same way that we should still be able to view actors in dark scene. If you can’t see or hear the story, what’s the point of the story, or the technology? Sound and fury signifying not much.
Then again, I get it. Artists will tell you they are trying to make things look and sound as real as possible, or craft an environment that is all encompassing with all of the elements at their disposal. Too often they get carried away and lose us to ineffective story telling.
I had planned to write up a blog post saying how much the Enhance Dialogue feature was a winner after some success with the new feature. I can’t say for sure that there is direct causation between the new Enhance Dialogue feature and the dialogue dropout we experienced. I will say, that it’s easy to point a finger of correlation after new features are released and something, anything goes awry. For now, I’ll leave it as the Enhance Dialogue feature looks like it could possibly be a winner in our household. If it works as advertised. All the time. Every time.
I will also say again that if filmmakers did their jobs correctly this wouldn’t be necessary except for those watching who might need assistive technology. In my opinion, if story tellers start relying on this feature to be present (I know it exists on many smart TVs,) it will be to the detriment of their craft and artistry.
You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome. I can also be found on social media under my name as above.
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A Dream Cast Delivers a Dreamy Dream of Autumn by Jon Fosse
Fantastic! That’s the first, but not the last compliment I’ll issue to the remarkable cast of our staged reading of Jon Fosse’s play Dream of Autumn last night. Matt Keely, Thomasin Savaiano, Gabrielle Brite, Amy Stricker, and Kevin Grubb were each, and as an ensemble, gloriously fantastic. They deserve all the praise that came flying their way after the reading. Producers should hire them.

Dream of Autumn was presented as a part of this year’s International Voices Project festival. Each piece is given a one-night only reading after a limited rehearsal period (more on that later).
For those unfamiliar, the actors read from their scripts, but are expected to bring full life to the text. This group sure did. Dream is a tricky play, dwelling in the realm of magical realism, with time shifts, and in this story character shifts, that can turn on the edge of dime. In a full production there would be production elements to help the audience follow those shifts. In this very barebones reading style, with the actors sitting in chairs and reading from their scripts from behind music stands, those shifts were handled via the reading of stage directions and the acting choices made by each member of the cast. According to the audience during our post-performance talk back, every one followed each twist and turn.

We only had about six hours of rehearsal to prepare, and the cast took the direction that was given and ran with it, culminating in a very “in the moment” experience for themselves as well as the audience. This was the first time this cast had read the play start to finish, together, without stopping. It was also the first time I had heard it. You could feel the entire room caught in the moments of the play and the moments of performance, breathing as one.
Having directed a number of these staged readings I’ve seen similar quite a few times, but rarely as well and as thrilling as last night’s effort. I often maintain that one of the true tests of an actor’s mettle is watching them carry the day with little preparation, trusting their skill and instincts. This team certainly carried this play last night further than most.
My hat’s off to each of them. Job exceptionally well done.

All photos by Scott Dray.
You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome. I can also be found on social media under my name as above. Check out the categories for this blog to read more about my theatre work.
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Next Up: Dream of Autumn by Jon Fosse
Monday night, November 18 at the International Voices Project we unveil a staged reading of Jon Fosse’s Dream of Autumn. Fosse won the Nobel Prize for Literature in 2023 for his work.

Dream of Autumn was translated into English by Sarah Cameron Sunde. The piece features quite a tension filled family reunion gathering at a cemetery. That’s actually a mild description of this piece the takes some twists and turns with time along with a dip into the wild world of magical realism. I doubt you’ll ever look at a gravestone the same way again.
The staged reading is free, and The International Voices Project is an organization I’ve worked with for years and certainly one that deserves support for bringing voices from other countries to Chicago.
Come check us out.
You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome. I can also be found on social media under my name as above. Check out the categories for this blog to read more about my theatre work.
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Politics and Theatre: Demonstrators Wave Nazi Flags Outside Performance of Diary of Anne Frank
Most of my theatre professors earned their bones in the 1960’s. So it’s no suprise that one of my favorites once told us that “you aren’t doing real theatre unless someone shows up with guns to stop people buying tickets at the box office.” I’m not sure this was what he had in mind.

A group of people showed up outside a community theatre performance of The Diary of Anne Frank in Livingston, Michigan waving Nazi flags. Obviously this upset the play goers and the play doers. Some were escorted to their cars following the performance. The demonstrators left the American Legion parking lot, where the play was being performed, after being told to by local police, but did exchange words with patrons across the street.
Here’s a quote from The Fowlerville Community Theatre via CNN:
The Fowlerville Community Theatre, which put on the production, said in a statement the play “centers on real people who lost their lives in the Holocaust” and added the cast and crew “endeavored to tell their story with as much realism as possible.”
“On Saturday evening, things became more real than we expected,” the group said. “The presence of protesters outside gave us a small glimpse of the fear and uncertainty felt by those in hiding.”
“As a theatre, we want to make people feel and think. We hope by presenting Anne’s story, we can help prevent the atrocities of the past from happening again.”
Something tells me theatres, and the arts in general, are in for more of this, and not just on topics that bring out anti-semitism, given how we’ve just turned this country upside down and inside out, revealing all the ugly that I think my professor genuinely thought that theatre and the arts should be protesting against and illuminating.
Of course the theatre and the artists have also shown throughout history that they can be important voices against ugliness and hatred as well even in times when they’ve been shut down and persecuted. Art and storytelling always finds a way.
You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome. I can also be found on social media under my name as above.

