Tag: horror

Too Many Frankensteins

There’s a reason they call it science FICTION.

Why does no one ever read the end of the story? Or if they do, why don’t they pay attention?

A publicity still from Guillermo del Toro's Frankenstein featuring a sunlit forest surrounded by tall tree trunks, a pale, muscular humanoid creature with light purple skin and ridge-like markings on its head and shoulders crouches on the ground. The figure wears cloth wraps around its forearms and waist, and holds a mossy human skull close to its face with a somber expression. Partial human skeletal remains, including a rib cage, rest on the mossy forest floor in front of it.

Ever since Mary Shelley gave us Frankenstein, laying out a moral of a story proving that just because you can, doesn’t mean you should, there seems to be a preponderance of ignorance running alongside the obvious capabilities our current day Dr. Frankensteins possess. It feels like the story is playing on an endless Youtube Short or TikTok or Reel without ever reaching the end and the story’s point. The only thing coming close to the volume of ignorance is the overdose of hubris that someone must be selling somewhere on some street corner. Or maybe it’s testosterone injections.

Whatever it is, whether in tech and AI, politics, sports, media, or fill in the blank for any field that can issue a press release and attract attention like flies to rotting flesh, it’s past the epidemic stage and has spread like a plague.

The fever stokes flames on Wall Street, which seems content to fuel them further until it all melts down. As long as they make their fees. Makes one wonder how the prediction markets on any number of popping bubbles are doing?

Between AI companies climbing over each other to fight over which model can cause more damage when they break free, companies creating horror movie-like robots to do damage control in dangerous circumstances, companies working to create AI powered glasses that will be used for mass surveillance — much less trouble making privacy violations, the tech sector seems to be outrunning the rest when it comes to the mad scientist wannabe game.

Politicians aren’t far behind, lagging only by their inability to keep up with and understand the changes happening around them as they count the cash being stuffed in their pockets. Sports teams intent on winning today don’t seem to care that they may be permanently damaging their game.

And there’s a media that doesn’t actually care who wins and who loses as long as they have access to the story of the rise and the story of the fall. Imagine if today’s media had covered Dr. Frankenstein’s efforts the way they cover Musk, Altman, Zuckerberg, or any of the others.

It’s too broad a generalization to say these stories never end well, even though many fail whether the consequences are intended or not. But in a world seemingly being driven by a bunch of geeks who profess a love for science fiction, and those who can’t help but take their money to drive their own ambitions, you’d think someone along the way would understand that they don’t get to write the end.

But that would require more than reading a summary.

Thanks for reading. You can subscribe to this blog if you care to. You can also find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome. I can also be found on social media under my name as above. This site does not use affilate links.

 

Social Media Influencers Left Adrift With The Odyssey

Perhaps this starts a new trend

I find this move by movie maker Christopher Nolan to be quite fascinating. Prior to the opening of his next film, The Odyssey, Nolan is skipping the now usual round of screenings for social media influencers. In and of itself, it’s a great way to generate the same kind of annoying buzz that typically follows social media screenings. In the bigger picture, perhaps it’s the start of a healthier trend.

A Christopher Nolan film is going to generate its own momentum one way or the other these days, regardless of what critics and influencers say early on. So, you can argue that it’s a shrewd move for a movie that’s already generated quite a bit of social media furor over casting and other issues. That said, I hope this move starts a trend that has nothing to do with this particular movie.

Social media influencers, like critics, are by and large out for themselves, more than whatever they’re covering. They were born that way. Critics evolved into that mutation. What we used to call critics will say they are there for their readers, relying on that trope far too often. Social media influencers don’t even try to fall back on that concept as an excuse. It’s a hit and run business.

Those days when criticism on any level was an opinion to measure your own against are largely gone. The world wants others to form their opinions for them. Everyone’s just too busy. Taking the time to think on your own is too hard and time consuming. Heck, in that context, I wouldn’t be surprised if we don’t eventually see early takes on new films, books, theatre, etc… generated by Artificial Intelligence.

In my opinion, we’d all be better off forming our own opinions, but that’s not how the world works. I’ve often derided the Siskel and Ebertization of thumbs up, thumbs down movie criticism. The move to creating another substrate of quick hit takes via social media was both a logical and illogical extension of critics as personalities pleading for attention.

The equation is a simple one that falls back on the cliché that any mention, good or bad, is good for business as long as the name is spelled correctly. That’s still largely true, thus my opinion that this is a shrewd move on Nolan’s part as long as this game continues.  Since any level of criticism has become a sport, that cliché has opened the doors to rooms empty of thought, nuance, and dare I say, substance.

When criticism becomes a contact sport for attention it’s no longer criticism, no matter the form. 

That’s my critical opinion.

Thanks for reading. You can subscribe to this blog if you care to. You can also find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome. I can also be found on social media under my name as above. This site does not use affilate links. 

Media Moves: Netflix Backing Out Should Accelerate The Inevitable

Will it be a comedy or a drama when it debuts on Netflix?

There’s no denying that the insane pedophile rampaging through the last decade of our lives has changed things. It’s unfortunate that we let that occur. While many of us may have seen the potential for all the damage he’s caused, you can say not enough did, but I’ll say instead that not enough cared.

Smartphone screen showing the Paramount logo in sharp focus in the foreground, with a blurred Netflix logo and other colorful streaming imagery in the background, suggesting competition between streaming services.

But here we are. Where is that exactly? We’re witnessing almost daily damage to most things around us that I think too many still think will get magically reversed when he leaves office or leaves this planet, whichever comes first. It will take a few generations to get back to whatever we believed normal was, although I’m not sure there ever was a normal because things always evolved, though by and large at a more sanely digestible pace.

Take for example what’s happening in the media landscape. News that Netflix was going to withdraw from a bidding war for Warner Brothers, effectively clearing the field for Paramount to win the deal is being discussed from a number of perspectives by all the usual and unusual suspects.

Those that wanted Netflix to rise to the challenge and succeed, keeping Warner Brothers away from the MAGAt supporting Ellison family, were depressed and angry. Those who see Netflix as just another evil media empire were oblivously happy. Most just want to know when the next and eventual price increases are coming.

Quite a few are quite concerned about what this will do to CNN and the news landscape. They needn’t be. That Punch and Judy network long since turned over the puppet strings to the wrong masters.

You can argue that this might have happened with or without Trump, but there’s no point in that. What you can’t argue is that this kind of wheeling and dealing will never be the same again now that the Oval Office has become the one stop shop for getting ahead.

I happen to think that in the long run, Netflix pulling out of the bidding is a good thing. The trend lines point away from what we have thought of as traditional media and entertainment. Now that news is entertainment and sports is politics, it’s a circle of cannibals feeding on each other.

As for those concerned about CNN and news coverage in the larger scheme, let’s get real. There are only so many corporate knees one can bend. Yes, CBS and CNN will essentially become the same, but that consolidation is going to be an accelerant tossed on two already burning corpses.

For those concerned about the picture beyond the news game, I think we’ll see the same sort of downward acceleration once things settle in, which won’t be for a while yet. Movies and other entertainment will still get made. We’re in an age of content abundance, yet keep in mind the real winner at the moment is probably YouTube, which continues to steal eyeballs from all the other sources. Note also that audio audiences are listening more to podcasts than talk radio according to some statistics.

My hunch is this latest episode will just quicken the decline for the capitulators and accelerate the trend of consumers making other choices. I can’t wait to watch the extended series about it all on Netflix.

That’s my $.02. It might not be worth half that.

You can also find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome. I can also be found on social media under my name as above.

My Viewing and Reading Picks for 2025

Another year of complex viewing and reading

Another year comes to an end. A new one gets ready to begin. 2025 felt less complex than 2024. Lines weren’t as blurry with one exception that I’ll get to later. In a year when the rush to redefine and compete for the lowest common denominator felt like a three-legged sack race over broken glass, complexity again drew my attention and stuck with me. There’s a great leveling happening, whether intentional or not. But as long as we can advertise against whatever the content is, it seems to matter less and less what the content is or how it’s made.

When it comes to viewing entertainment it was a year when the quality line between movies and streaming TV blurred even more as excellent series work competing with the big screen for some of my favorite viewing. The Pitt and Adolescence were two of the finest things I watched this year.

There are a number of titles in these lists that would qualify for what is being called Resistance Cinema. Each one is deserving of inclusion in that list for immediacy. Any lasting impact will only be determined with the passage of time and all of what we’re currently resisting either cements or cracks.

I don’t believe in “best of” lists. There’s good stuff being created amidst all of the mediocrity and my judgement on what’s good is probably not yours. I pick what attracts and holds my attention. I also don’t see or read everything and the holiday release schedule geared to coming in under the wire for awards recognition is a silly game for insiders and not for me. There also may be a title or two that I didn’t catch until 2025 even though it was released in previous years. Goodness knows there are books waiting to be read.

If there’s a link with a title, I took the time to write about it. I should have done that more. So here’s a list in no particular ranking order of what I found most intriguing throughout the year.

Movies
Streaming TV
Books
  • 1929 by Andrew Ross Sorkin
  • The Mission by Time Weiner
  • Apple In China by Patrick McGee
  • The Director by Daniel Kehlmann

Have a Happy New Year!

You can also find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome. I can also be found on social media under my name as above.

Final Trailer for Guillermo del Toro’s Frankenstein Released

Looking forward to this

I’m looking forward to the release of Guillermo del Toro’s Frankenstein on Netflix perhaps more than any other film to be released this fall. The movie hits theaters on October 7 and streams on Netflix beginning November 7th. The official trailer has now been released. 

Mary Shelly’s tale of the monster who created a monster has been so twisted around in so many different incarnations it’s hard to separate the takes from the original fiction. That’s not a complaint, it’s just what it is. I can imagine this one will offer up a unique twist or two given Guillermo del Toro’s previous films. 

I’m really looking forward to this and hope it lives up to its promise.

You can also find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome. I can also be found on social media under my name as above.

Sinners: A Review

Worth sinking your teeth into.

I saw Ryan Coogler’s Sinners in a movie theatre when it was released in April. I rarely go to movie theaters these days, but in this one instance I was certainly glad I did. Now that Sinners has reached streaming on the 4th of July, I hope anyone who didn’t have a chance to see it on the big screen will take time to view the fireworks it provides at home. I’m looking forward to a second watch. It is excellent. It’s not perfect. But it is sublime in its imperfections.

Sinners01 978x652.Ryan Coogler knows how to tell stories. He knows how to tell stories in big ways. He knows how to tell stories that entertain and unsettle. He knows how to weave the various strands of history, culture, and popular story tropes together in ways that spin out a fresh new cinematic delight that redefines the old and refreshes the tired. He may get a bit carried away here and there, but in the end he delivers as a filmmaker of note.

In Sinners he ties Southern-gothic, vampire horror, and depression era gangster styles together along with a musical storyline that literally burns down the house. Working with his familiar actor collaborator, Michael B. Jordan, playing a set of twins, Coogler creates something brand new, dangerous and in the end just damn dandy. I fully expect Sinners to be quite popular in the Best Picture categories when awards season rolls around. Even with its imperfections, it’s at the top of my list for best films of the year.

Jordan and all of the actors are superb. The music is red hot. The vampire gore is plenty gory. There’s a raw, violent, sexual tension throughout that’s heightened by the rawness of the blues music that infuses the storyline. The sequence when the fateful evening’s dancers are intermingled with ghosts of African and African-American pasts and premonitions of musical genres of a future yet to be is a highlight, even if it is a bit too precious.

Coogler also plays with some larger themes among the music, horror, and history. Questioning why Blacks cleave to Christianity (“Blues wasn’t forced on us like that religion,” and who counts as Black when everyone doesn’t have the same black skin or heritage, cut through many of the myths so easily consumed and assumed about the Black South.

As to the flaws, perhaps the biggest is also its biggest strength. Coogler stretches out a wide canvas to paint this story on.  Perhaps too wide, and even so he often paints outside the bounds of that canvas. And once the delicious and setup is accomplished, the violent confrontation we all know is coming at times feels more rushed than we want it to, certainly when it consumes characters we’ve invested in.

Even with those flaws, Sinners yields a bounty that often borders on the rapturous. It is more than worth your time.

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome. I can also be found on social media under my name as above.