History – Page 2 – Life on the Wicked Stage: Act 3

Phillip Bump and Clumsy Nazi Comparisons

Not the time for historical nuance

Phillip Bump, a thinker and writer I greatly admire has an intriguing, yet troubling piece titled There Are Limits To The Hitler-Trump Comparison. Just Ask These Historians. I say troubling, not because I disagree with his points, but because I think it misses the larger one everyone is too afraid to acknowledge.

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It is intriguing on an intellectual level, and nuanced on several levels. But I hasten to say that we’re living in a moment without much room for nuance, and as for the intellectual part? I’m afraid we’re suffering losses there as well.

Looking to explore further whether or not the Trump administration’s use of anti-immigrant rhetoric could be compared to the Nazi movement, Bump reached out to several historians who “generally agree that while the comparison was imperfect, it was not completely unfair.” I urge you to read Bump’s column before continuing here.

I won’t argue with the callbacks to the history of America’s own xenophobia. Let’s remember where the Nazis claimed to get some of their ideas from. As a species we seem to be entirely incapable of finding news ways to diminish and dehumanize those we don’t like or want to scapegoat on the path to power. Nor will I argue that it depends on what part of the Nazi timeline you drop into when making comparisons.

I will say this.

While no one knows how any of this will turn out, the fact that we’re living through any resemblance, no matter how clumsy or incoherent it may be in comparison to past political movements here or abroad, should be more than enough to call us up short and put a stop to it.

Bump states:

So Trump’s allies have a point: Comparisons to Nazism, particularly the late-stage Nazism with which we are all familiar, are imperfect. The president’s administration mirrors that party’s ascent a century ago in other ways — its bullying, the collapse of opposition from the existing establishment — that sharpen the criticism. If it is on the same path forward, though, there is still a long way to go, and a lot of time to change direction.

The comparisons may indeed be imperfect. However, every time civilization has beaten back these ill winds it has had to do so imperfectly as well, having to stoop below many of the values we rallied to save in the name of those values.

There may indeed still be time for a change in direction. That said, I would argue that the longer the weak-kneed and cowardly capitulators let this go on, not only does that window of time close, but it makes it harder to pry back open even after all of the glass has been broken.

(Image from Claudio Divizia on Shutterstock)

You can also find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome. I can also be found on social media under my name as above.

Finishing Ken Burns’ The American Revolution

The series is complete. As a nation the question remains open.

We completed watching Ken Burn’s excellent The American Revolution this week. Thank goodness for streaming, allowing us to view it on our schedule. Two spoiler alerts. First, we won the war. Second, we’re still struggling with many of the differences that made the formation (and perhaps the continuation) of what would become the Untied States such a close thing.

The series is excellent and I highly recommend it. Burns and his team do their expected thorough job of researching and producing the documentary. We’re lucky there were so many letters written by those beneath the status of the cast of characters most of us could identify at a glance, because that material provides much of the content and texture inside the frame.

The production does it’s job so well that my hunch is some will come away learning things they never knew about a period of our history we’ve wrapped in so many myths it would keep troops at Valley Forge warm. I would also guess that in today’s political and social climate there will be far too many who tune out or don’t tune in because they prefer the comfort of the mythology.

Which is a damned shame. As I said in an earlier post about the series:

I’m not hearing things differently, but I’m hearing how folks can take their own meaning out of many of the things written and said during that period that led to this country’s founding. History may indeed rhyme, but it also echoes. Often in strange ways.

If you have followed any of Burns’ work you know his approach to American history is to tell the parts of stories we leave out of the picture. I grew up in a part of the country where you could turn your head left or right, spit, and hit the history of the American Revolution or the Civil War. I count myself lucky that my 10th grade history teacher kept reminding us that there was so much more to discover about our past than he had the time to teach us, planting a seed of curiosity that continues to grow inside of me to this day decades later.

Ken Burns and his team continue to keep that curiosity growing. We should all be grateful and unafraid that they do so.

Read ’em. Maybe Weep. Maybe Get Pissed Off. But Read ’em

Blood, some boiling, some cold, but killer writing.

Life on the Wicked Stage readers will be familiar with the Sunday Morning Reading column wherein I share good writing and interesting topics. Sometimes things fly across my radar after I’ve published the week’s column. Three pieces hit and hit hard late on Sunday after the Chicago Bears continued a mysterious, but gratifying winning streak. I’m going to share those stories here, on a Monday. The writing is too hot to let cool, and the subject matter burns even hotter.

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First up, is an excellent piece by Will Bunch called The Night America’s Doomed Ruling Glass Gorged On Lamb, Blood, and Oil. Bunch puts the elite on the menu and carves them up with a bone saw.

Next, check out Anand Girdhardas’ excellent How The Elite Behave When No One Is Watching: Inside the Epstein Emails. A vivisection that exposes what we all imagine.

Finally, read Tatiana Schlossberg’s A Battle With My Blood. A Kennedy family member, dying of incurable blood cancer eloquently tells her story, and ours.

You might think these pieces tilt into the category of just another round of depressing news and commentary. Partly that’s true. But it’s a small part for small minds. I find each of them reassuring. Reassuring that smart people, spilling words like blood on digital paper, can pour out the pain we’re all living through personal pain of their own, and decipher the day-to-day charades even as the current deadly and dangerous game continues.

I’d say the writing is courageous, but that’s obvious. The real courage comes in reading what’s written and paying enough attention to make it matter. Perhaps sharing them around this Thanksgiving week when we give thanks for our blessings with family and friends. Especially those we disagree with.

Be thankful. Be courageous.

(Image from Militarist on Shutterstock)

If you’re interested in just what the heck Sunday Morning Reading is all about you can read more about the origins of Sunday Morning Reading here. If you’d like more click on the Sunday Morning Reading link in the category column to check out what’s been shared on Sunday’s past. You can also find more of my writings on Medium at this link, including in the publications Ellemeno and Rome.

Sunday Morning Reading

Art matters. If you listen.

It’s another Sunday in this insane world, so it’s time for some Sunday Morning Reading. It won’t cure what ails you, or the world. But there are those who are listening. Listen as you read.

Aren’t You Tired Of Feeling Insane All The Time? Marie Le Conte asks that question. I’m not sure anyone can plug the hole in that boat, but acknowledging that we’re sinking is the first step.

David Todd McCarty tackles The Lost Art of Listening.

NatashaMH recently launched an exhibition of her art. Launching anything can take life out of you, launching any display of art exacts even more of the soul than it does the physical being. But as she says in The Social Life of Art, “art demands resilience, and resilience demands a sense of humor.”

I wrote a bit this week about what Mark Leydorf has to say about The Rise of Resistance Cinema In The Era of Trump. It’s worth highlighting his piece again here.

I’ve been watching the Apple TV series Pluribus with great curiosity. If nothing else, the show echoes Mr. McCarty’s opening to his piece linked above. (Warning. Don’t watch the show with my wife.) Dani Di Placido thinks he’s got it all figured out in What Is ‘Pluribus’ Really About? Perhaps he does. I’m not so sure. I’m also not sure the show’s success or failure relies on figuring it out in the end.

I’ve been linking to some of the goings on at The Kennedy Center under this corrupt administration. Trust me when I say what’s happening there is causing shock waves across board rooms in arts institutions across the country as everyone looks to uncertain and unknown futures with no script to follow. It’s affecting the art. It’s affecting the business of art. It will affect the art in ways we can’t begin to imagine. Janay Kingsberry examines how Senate Democrats Are Investigating Kennedy Center’s Deals And Spending.

Most of the links this week touch on the arts in one way or the other. In a way this tech topic does as well, given that so many want to turn emoji’s into some form of art. Benji Edwards examines the origins of this move back to hieroglyphics with the piece, In 1982, A Physics Gone Wrong Sparked The Invention Of The Emoticon. Art by accident often is the art that sticks.

(Image by Roman Kraft on Unsplash)

Penny Wise and Pound Foolish

A nickel for your thoughts?

If you’ve got some pennies hanging around in a piggy bank or coin collection you might want to hang on to them. Yesterday, November 12th, the U.S. Mint minted the last round of pennies.

The penny has been tossed across sales counters and burned holes in pockets for 238 years, but apparently it cost almost four cents to make one, which certainly seems like a losing proposition.

Not to worry though. If you’re not sentimental about the coin, it will still be considered legal tinder. Although some retailers are looking to round things up to the nearest nickel to avoid having to deal with them.

As for the “pound foolish’ part of this post’s headline, if retailers do follow through on rounding prices up any savings generated by no longer printing pennies will probably be outweighed by the costs of printing more nickels, which costs substantially more than printing a penny.

Setting aside the costs, somehow “a nickel for your thoughts” and “nickels from heaven” just don’t sing the way the originals do.

Death By Lightning: A Mini-Review for a Mini-Success

Music, fighting, sausages

Candace Millard’s excellent non-fiction book Destiny of the Republic: A Tale of Madness, Medicine and the Murder of the President is often overlooked, though it was well received well when it debuted in 2011. I’m hoping that the new Netflix adaptation titled Death By Lightning will give Millard, her book, and the period of American history it chronicles more well deserved and appropriate notoriety.

Death by lightning.

Yes, this is one of those many cases where the original source material far outshines the film/TV version. That said, Death By Lightning is worth a watch, if nothing else for an entertaining opportunity to dip your toes into the historical waters that are still affecting much of what we’re wading through today in an age when those in control are so eager to pour cold water on the pieces of history they don’t like.

More to the point, Death By Lightning touches on a piece of history from a tumultuous time that seems largely forgotten, that we perhaps might have learned better from, even before we got into this current mess. A poignant, late scene sets this up wonderfully.

Created by Mike Makowsy and directed by Matt Ross, Death By Lightning is a limited Netflix series, that chronicles the unlikely rise of James Garfield to the presidency and his assassination by Charles Guiteau. (If you think anything in this brief review is a spoiler it proves my earlier point.)

There are four episodes and in the end that’s part of what weakens the series as it doesn’t allow much time for much of the depth of Millard’s book. Towards the end it feels like it’s rushing to a conclusion, leaving me wondering how much got left on the cutting room floor or chucked away in the C-suite.

An excellent cast largely rises to the occasion featuring Michael Shannon as Garfield and Matthew MacFadyen as an over the top Guiteau. That said, Guiteau was apparently quite over the top in real life according to many accounts, so much so that there are so many accounts. They are well supported by Betty Gilpin, Shea Whigham, Bradley Whitford, and especially Nick Offerman in a scenery and sausage chewing turn as Chester Arthur, who succeeded Garfield.

One of the wonders of Millard’s book is that it featured an intersection of so much of American life at the time following the Civil War, from politics to science and medicine. The battle between the politics of the spoils system and a desire for a less corrupt civil service system is well chronicled in both the book and the series and adds interesting context to our current tariff tangles that I’m guessing most will find surprising.

If you’re frustrated by recent happenings in our current day Congress and politics both the book and the series will add some historical (and often entertaining) context to the mess we’re in.

Less featured in the series are the conflicts in medicine with many American physicians of the day rejecting what had become largely accepted in Europe as a new approach to germs and sanitary surgical practices. Not really a spoiler, Garfield was shot, but it wasn’t the bullet that killed him. He died from sepsis caused by infection due to unsanitary practices in the aftermath. If you’re detecting hints of the medical madness we’ve been living through since the pandemic, you’re not wrong.

Alexander Graham Bell also makes an appearance with a new invention that could possibly detect the bullet lodged in Garfield’s gut, but the fuller story about his scientific advances and entrepreneurship, which runs on an almost parallel path to Garfield and Guiteau’s in the book, is mostly left as a footnote in the Netflix series.

Again, it’s by no means a perfect piece of streaming entertainment. I highly recommend the book on which it is based and I would mildly rate it better than most of the mundanity that fill our screens instead of the lists we curate. The cast and the exposure to a forgotten moment in American history that I’m certain many have no clue about makes it a good candidate for your watch list.

Besides just getting a chance to see Nick Offerman toss out the line, “Music, fighting, and sausages” is worth the time spent.

Sunday Morning Reading

Balancing on the edge of a coin

Regardless of the many problems with the Internet, there’s no denying its benefits. One of those is the pleasure of reading stuff I probably would never be aware of without it. In many ways that’s what this Sunday Morning Reading column is about (as well as my life in general on the Internet.) When you read and live life enough, you discover that the trick is always balancing on the edge of the coin that separates the two sides.

There’s comfort perhaps landing on one side or the other, but life is actually in the fragile middle of the muddle somewhere, even if it’s a fine, and increasingly thinner line, often hard to discern.

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First up this Sunday is a piece by Josh Marshall of Talking Points Memo called Fear, Greed, Civic Virtue and the Fall of the Elites. Pay attention to that word “virtue.” As Marshall points out it originally meant “manliness.” The word’s evolution is as tricky as the concept itself.

Follow that up with Ian Betteridge’s The Politics of the Missing Middle.

Ian Betteridge’s law of headlines that says any headline that ends in a question mark can be answered with the word “no.” Steven Levy falls into Betteridge’s trap in his piece, Can AI Avoid The Enshittification Trap? Cory Doctorow’s theory of Enshittification has been a popular topic in this column and Betteridge’s law certainly applies here. For those looking for a primer on enshittification Greg Rosalsky has a a quick primer on the topic in A Theory Why The Internet Is Going Down The Toilet.

While technically not falling under the umbrella of enshittification, some of the ways folks are using AI sure sound shitty. Check out Alexandra Jones’s I Realized I’d Been ChatGPT-ed Into Bed: ‘Chatfishing’ Made Finding Love On Dating Apps Even Weirder.

Things are getting weird indeed. Adi Robertson tells us that The Next Legal Frontier Is Your Face and AI.

Several pieces on the arts and creativity stood out to me this week. David Sparks’ The Inherent Value Of The Creative Act reflects on his creative life and his resistance to using AI for the work of creating, but it helps with his administrative tasks. There’s that edge of the coin again.

Authoritarians always target art and artists first. You don’t need an Internet to discover that history, or perhaps we might if the current forces in charge have their way. Andrew Weinstein discusses Trump’s Campaign To Defund The Arts—and Rewrite History.

Speaking of creativity or rather the other side of that coin, Joe Rosenthal takes on Creative Neglect: What About The Apps In Apple? I mentioned some of this in a piece I wrote this past week.

Speaking of that edge and to close out this week, here’s an image of a Mastodon post by friend David Todd McCarty from this morning.

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(Coin Image above from ABARONS on Shutterstock)

What’s Next After No Kings Day? How About Blackout Black Friday

Blackout Black Friday

By most accounts No Kings Day 2 was a success in gathering large crowds. Around 7 million seems to be the accepted estimate. Did it have an impact? Sure. What kind of impact? Who the hell really knows.

If you’ve followed the thoughts I’ve been jotting down here you’ll know that I strongly believe that until we extend the energy from events like No Kings Day out of a weekend and into a work week, or have a general strike, we’re not going to see the level of impact that might actually change things. I stress the word “might.”

In the aftermath of No Kings Day 2 I was searching within the recesses of my brain for something, anything that could possibly move the needle. I came up with the idea of a Blackout on Black Friday. Don’t shop. Skip Prime Day and all of its variants. Don’t watch the sports. Don’t go to the movies. Stay off the Internet. Even a 10% drop in shopping and viewing metrics would have an impact. Even the threat of such an action would probably have an impact.

Then this morning on Mastodon I see this post from SharonPersists.

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I’m glad my brain isn’t the only one where these kind of thoughts are rattling around.

I’m sure there would be all sorts of friction given that this would be over a holiday weekend geared towards family and giving thanks. But I can’t think of a better time to turn it all off, spend time with family and friends, and possibly build on the momentum of other protests.

One way or the other this situation is going to require sacrifice before it comes to whatever end it will eventually come to. The only real choice we have is to make that sacrifice willingly, or have it continue to be thrust upon us.

I think of all of the Thanksgiving Day holidays in which I was producing and directing Charles Dickens’ A Christmas Carol. After each performance I watched families leave filled with the Christmas Spirit, only to have that merely be a passing moment in time when the message didn’t stick. We need to find some way that sticks.

I’ll be emailing organizers about this idea. I hope you might do the same.

Artists Unite for Fall Of Freedom Campaign

Art matters. Artists are a threat to American fascism.

Much of the current focus building out of the simmering outrage at the actions of the Trump regime is centered on the October 18 NoKings rallies being planned across the country. From the sound of it the crowds will be large and widespread across the country. That’s all a good thing.

That said, I still wish and hope for and believe that more sustained efforts are going to be required before enough pressure might actually lead to progress.

One effort that might help, if given proper support and media coverage, is an national call to action by artists called Fall Of Freedom. You should certainly check out the website and how to get involved. Here’s an excerpt from the website:

Fall of Freedom is an urgent call to the arts community to unite in defiance of authoritarian forces sweeping the nation. Our Democracy is under attack. Threats to free expression are rising. Dissent is being criminalized. Institutions and media have been recast as mouthpieces of propaganda.

This Fall, we are activating a nationwide wave of creative resistance. Beginning November 21–22, 2025, galleries, museums, libraries, comedy clubs, theaters, and concert halls across the country will host exhibitions, performances, and public events that channel the urgency of this moment. Fall of Freedom is an open invitation to artists, creators, and communities to take part—and to celebrate the experiences, cultures, and identities that shape the fabric of our nation.

Art matters. Artists are a threat to American fascism.

I do happen to believe in that last statement. Art does matter, and artists are a threat to American fascism, or fascism wherever it raises its ugly head.

From an article in American Theatre magazine, here are some of the theatre artists and organizations already involved:

Playwrights David Henry Hwang, Dominique Morisseau, and Sarah Ruhl; director/organizer Annie Dorsen; and Julia Jordan of the Lillys. Theatre organizations involved include the August Wilson Center, National Black Theatre, the Public Theater, Broadway Advocacy Coalition, Woolly Mammoth, New York Theatre Workshop, Ensemble Studio Theatre, En Garde Arts, Crossroads Theater Company, IndieSpace, and more.

There’s a longer and growing list at this link.

I urge you to check out the website that includes ways to get involved and a toolkit for this national call to action.

Hollywood Stars Relaunch The Committee For The First Amendment

History once again repeating itself

In the tumult that is the debate over freedom of speech and the First Amendment, a large group of Hollywood celebrities, led in this effort by Jane Fonda, have relaunched The Committee for the First Amendment. I’m glad to see it.

Committee for the First Amendment.

First created during the McCarthy ‘Red Scare’ era after government repression of American citizens for their political beliefs, the original Committee for the First Amendment was also a group of Hollywood actors, producers, directors, writers and more attempting to fight the repression led by Joe McCarthy’s efforts to purge communists from all walks of life. That repression led to black lists, the end of careers, and a black stain on the freedoms American’s cherish. Sadly, we’re back there again.

Some in today’s world of complicit media like to call this current mess a debate over freedom of speech. That’s bullshit in my opinion. There’s no debate in the attempts to label what speech, what entertainment, what ideas are allowed or not, certainly to when you have many Hollywood and media executives willing to bend the knee to the fascist regime we now have in place.

Here’s an excerpt from the webpage:

The federal government is once again engaged in a coordinated campaign to silence critics in the government, the media, the judiciary, academia, and the entertainment industry.

We refuse to stand by and let that happen. Free speech and free expression are the inalienable rights of every American of all backgrounds and political beliefs – no matter how liberal or conservative you may be. The ability to criticize, question, protest, and even mock those in power is foundational to what America has always aspired to be.

We understand that this is a frightening and confusing moment for many people. We recognize that we represent just one group of many who are under threat right now. Across classrooms, libraries, factories, companies and workplaces of all kinds, Americans of every walk of life are facing intimidation and censorship too — and we stand with them.

We know there is power in solidarity and strength in numbers. We will stand together—fiercely united—to defend free speech and expression from this assault. This is not a partisan issue. That is why we urge every American who cares about the First Amendment—the cornerstone of our democracy—and every artist around the globe who looks to the United States as a beacon of freedom to join us.

The list of those signing on is long. Here’s hoping we see more join in for what appears at the moment to be a long fight. And not just from Hollywood. It’s going to take this kind of action in all sectors of our society.