Lehamn Trilogy Diaries: Moving to the Stage

Last night was our final rehearsal for The Lehman Trilogy in the rehearsal room. Rehearsal rooms are often not sufficiently matched to the space a show will occupy on stage which means the first few rehearsals on stage turn into what is called “spacing.” Simply put that means you transfer the staging from a smaller space to a larger one and adjust a few things.

Often that requires quite a few adjustments. This show should require less than most as we gain more space, because our scenic anchors for the action, though somewhat different, have set our parameters and those parameters will be largely intact. It’s also an opportunity to actually stage some moments that just couldn’t be achieved in the confines of a rehearsal room with no ceiling height. This show has an overabundnce of those. That will be what today’s work will be about.

Things will feel different. Things will feel out of sorts. Things will get corrected to find their sorts. And some things will actually take on new meaning as the stage provides new opportunities. What I’ve been seeing in the “little theatre in my mind” that we’ve been rehearsing in the smaller rehearsal room, will now get its chance to take real and actual steps instead of imagined ones.

I’ll also get a chance to get some proper perspective on the story as I simulataneously get closer to it by stepping farther back. In the rehearsal room staff is literally on top of the actors. In the theatre we get to finally take the seats the audience will in viewing the story. Being able to see the big picture focuses things tighter as the aperture widens.

Most importantly, the story will get a chance to breathe. As we adjust, the wings will spread a bit.

Looking forward to this day. But I have to say I’ll miss the intimacy of the work this team has accomplished in that smaller space. There was indeed a palpable tinge of sadness as we wrapped last night.

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome and check out The Lehman Trilogy Diaries here

The Lehman Trilogy Diaries: Interpret or Learn?

The other night there was a moment in rehearslal for The Lehman Trilogy that caught me and stood out. The moment is in one of the more comic scenes of the play. Given what’s happening  around and to us in the world these days, the truth behind it isn’t very funny. Then again, sometimes comedy is the best mirror in which to see ourselves.

That moment goes like this:

Young Herbert Lehman is a trouble maker in school for always asking too many questions. His Rabbi asks the class to recite back to him the ten plagues God visited on Egypt. The Rabbi does everything in his power to keep from calling on the young troublemaker, choosing every boy in the class, until at last there’s only Herbert left to regurgitate the answer.

RABBI: I suppose I should hear the last plague from you Herbert Lehman.

HERBERT: HaShem let the children of Egypt die.

RABBI: That’s wrong, Lehman. HaShem did not do that.

HERBERT: Yes he did, Rabbi.

RABBI: No, he didn’t.

As usual, you want to interpret, rather than to learn.

According to the scripture: ‘At midnight HaShem slaughtered

every firstborn in the country of Egypt.’

Every Firstborn is not the same as ALL the children, Lehman.

HERBERT: Whatever it says, Rabbi.

I have a problem with HaShem’s decision.

Why massacre the children of Egypt who were innocent?

RABBI: Lehman…

HERBERT: I have a problem with all of the plagues.

RABBI: Lehman! This is intolerable!

HERBERT: In my opinion, HaShem – instead of wasting time with plagues – should have simply killed the pharaoh…

RABBI: HaShem does not take advice from Herbert Lehman!

Interpret rather than to learn” is what caught and what catches. For much of our lives, and I daresay for much of the lives of those who’ve populated the planet since humanity wiggled out of the slime we’ve been both blessed and plagued by the margins between “interpreting” and “learning.” Witness current events and how violently we seem to disagree over interpretations of things we’ve supposedly learned.

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome and check out The Lehman Trilogy Diaries here

Charged Up Cubism: The Anker 3-in-1 Cube with Magsafe

Cubism is an art form popularized by Pablo Picasso, George Braque, Jen Metzinger and a bevy of other artists. Cubism can be fun and funky. It can also be confusing. Either way it can generate some highly charged opinions. The Anker 3-1-Cube with Magsafe is certainly not what I’d call a work of art, but it is a nifty piece of Magsafe charging tech packaged in a funky little cube.

I received an Anker 3-in-1 Magsafe charging cube as a Christmas gift and am using it on my current month-and-a-half long gig away from home to charge an iPhone, Apple Watch and AirPods. Straight up I like the device quite a bit and am very grateful it was gifted to me.

Right out the box you get a small gray cube. It’s heavier than its roughly 2.5 inch footprint suggests, weighing in at 14.46 ounces. It deceptively makes you think the cube contains a battery, but it does not. It’s solidly built for the most part. Flip open the top and you can attach an iPhone via MagSafe for charging or to use in StandBy mode. You can also just plop your iPhone on top of the cube without flipping up the top. Press in on the small side shelf and out pops a small charging adapter for the Apple Watch. That watch charging shelf does feel a little finicky at times and I’m not sure if pressing it in and out constantly won’t eventually yield to failure. The lid angle is adjustable so using it for viewing something on your iPhone works well. With the lid flipped all the way to its maximum angle you can place your AirPods under that angled lid to charge them up.

Yes, you can charge all three devices at one time. With all three devices charging it takes Cubism into an sort of modern realm. The device comes with a 30-watt charging plug and a decently long cable (5 feet). No this isn’t a mobile charger, it’s meant to be used plugged in, which may mitigate the hefty weight. Anker’s cube supports 15-watt charging for compatible iPhone models and suppots fast charging for Apple Watches as far back as version 7.

The cube is a bit pricey currently running in the $150 range on Amazon, Apple and other outlets. I had looked at this when it first came out and ruled it out for my gadget collection due to the price compared with other options available. One of the things I like about it is the small compact size compared to many other charging stands and mobile charging options currently on the market that tend to look like jewelry stands. Given that some of my gigs require weeks long stays, I’m glad the Anker 3-in-1 Cube with MagSafe was gifted to me. I won’t mind its surprising weight when packing a suitcase, and I do indeed like this quirky, little, somewhat heavy cube quite a bit.

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome.

The Lehman Trilogy Diaries: Expanding the Team

We’ve been hacking away at The Lehman Trilogy for a few weeks now. Three cast members, a director, and a stage manager in a rehearsal room, collectively working through an extremely fun, yet densely challenging script, beat by beat, moment by moment. I can speak for that small cadre that we feel very good about our work so far, and a bit terrified by the work ahead. Tonight we do a run-thru for the design team and the production staff and the inner circle expands.

The designers and production folks have had their brains on this for awhile now, but tonight is the first time they will be in the room where it happens, exposed to more than just my words and rehearsal notes about what is exactly is happening with the story we’re trying to tell.

I have a love and hate relationship with designer run-thrus. First, they are a necessary part of the process. Challenges become more real and collaboration becomes more possible. On the other hand, it also kicks things into another gear for the actors. All of a sudden they feel ike they’re performing instead of just advancing the work reherarsal to rehearsal. The atmosphere becomes less safe. Not in any dangerous way, but in a way that usually invovles a step or two backwards before allowing things to begin moving forward again.

We’re still in the rehearsal room, safely tucked away on the 5th floor, anxious to get to the stage. But we’re not done here yet. As inhibited as this room is compared to the actual less confining confines we’ll be inhabiting soon, it’s become home, familiar and comfortable, yet growing tired and small as the cast’s work is begging for the space the stage will provide.

As an example, a good portion of the staging features actors standing on a conference room table, and we don’t have the ceiling height to make that possible in the rehearsal room without the actors crashing their heads into the drop ceiling tiles.  We’ve come up with some interesting, occasionally humorous alternatives for those moments, yet they yearn to play in the full height and freedom of the stage.

So, embracing both the love and hate, we’ll grow the team tonight as we prepare for the next steps. Should be fun. Should be scary. Should be quite a show…er…um…rehearsal.

Some Things We Just Know On The Merry-Go-Round We Call Life Today

On the merry-go-round of life some things we just know. Some things we just know but find that others want to pretend something different. Here are some things we just know.

Donald Trump is a criminal, a rapist, an insurrectionist, a scumbag, a loser, a lousy liar, and more beyond redemption than most of the evil people in recorded history. He’d love to top even that list. He wants to dismantle the US Constitution and any other aspect of governance as long as he can stay out of a prison jump suit that might clash with the color of his makeup while grifting his way to the grave.

The Republican Party is the largest collecton of cowards and liars ever gathered under the guise of a political party, afraid of any shadow with a hint of orange in it, and terrified of the ignorant constiutents they represent and claim to love. They deserve whatever comes from their cowardice and lying. The rest of us don’t.

Elon Musk is a drug-addled fool who just happens to control a few companies, somehow has a national security clearance, a hoard of wealth, and could care less about anything other than for whatever is in his brain at the moment. Or the next.

Too many American voters don’t know which way to turn because either fork in the road seems like a tortured path. Too many American voters need to pay better attention, because if they are not careful they’ll lose the ability to make choose how severe the torture is going forward.

Big Tech isn’t Big Tech anymore. Big tech, like most other human endeavors, is in the Big “Let’s Make All The Money We Can before the merry-go-round stops” game. The merry-go-round always stops.

Artificial Intelligence can be both a boon and a bust. It will be both. You don’t have to be intelligent or real  to see that coming. 

Social Media can be fun. Social Media can be harmful. In either case, only if you let it. 

Wars are destructive, foolish expressions of ego and and desire. Rules and Laws of War are silly made up sing-songs  to allow men to destroy each other and anyone in their way in service to those egos.

The Media is a mess of its own making in covering any of the above, and seems to enjoy swimming in its own slop with its mouth agape. Anyone in their right minds would have stopped the bleeding by now. Unless they just enjoy self-harm. But if it bleeds it leads. Even it’s draining the lifeblood out of you.

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome.

Sunday Morning Reading

We just commemorated the anniversary of the history altering events of January 6th. So some of thse links in this weeks’ edition of Sunday Morning Reading will reflect that. Not all. But some. If that turns you off, apologies in advance. Not to you. Because of you.

Kicking it off is David Todd McCarty’s Who’s Teaching You a Lesson? Read it damnit.

Driftglass offers up The Art of Persuasion is Over. Short. Sweet. Persuasive.

David French offers up The Case of Disqualifying Trump is Strong. I agree. Too bad the judges it will be argued in front of are not.

David Graham tells us How Trump Taught America to Tolerate Brazen Corruption. We’ve always tolereated corruption. Most of us just don’t want it flaunted openly in our face by a bunch of bragadocius buffoons.

Changing the tune, check out To Own The Future, Read Shakespeare. Not what you think. It’s about tech and the liberal arts. Great read.

NatashMH wonders how the plot got lost regarding feminism in We Were Once Dragons and Phoenices. Another great read.

And then for something completely different, check out Dana Milbank’s I Killed A Deer From My Bathroom.

If you’re interested in just what the heck Sunday Morning Reading is all about you can read more about the origins of Sunday Morning Reading here.  You can also find more of my writings on Medium at this link, including in the publications Ellemeno and Rome.

Read This Damnit!

Stop what you’re doing. Go read this piece from David Todd Mccarty. I’m quoting a brief excerpt below. But go read this, damnit. 

This isn’t going to be an Arab Spring, which, by the way, didn’t work out all that well for anyone in the end. Ask the Egyptian activists how they’re doing. You want a glimpse of your future? Look to Russia. Look to Iran. You will march proudly in the streets, and at night, you will be taken from your bed, never to be seen or heard from again.

If you think that’s hyperbole. Think again, my friends.

The iPad Is My Perfect Theatre Rehearsal Tool

For some the iPad can be a strange beast. For some the iPad is just what they need. Of course that depends on which iPad you might have or use. That’s where the “strange” comes in. Most of the follow the leader tech press thinks the iPad lineup is confusing. Following along, I happen to agree to an extent. If you know what you’re looking for it’s not that difficult a choice. But if you are in the market for the first time it can be confusing. There’s size differences. There’s iPad Pros, iPad Airs, just plain iPads, and then there’s the iPad mini.

Apple hasn’t helped with the confusion because it’s sent mixed signals along the way. I’m not one to be that concerned because my needs are clearly defined. I’m not looking to use an iPad as full computer replacement, though there have been times I’ve used it as such and reliably well. I’m in the game for mobility for both work and play. Frankly, while the lineup may seem confusing to the easily distracted,  the variety in the lineup does offer an array of choices.

My family is one example. For my wife an iPad is primarily a content consumption device. For me it serves that purpose, and is also an indispensible work platform. I keep up to date with current hardware. That’s my gadget geek side. My wife is still quite happy with a much older version. (It still has a Home button!) My wife defines the case for many that frustrates the “must have new hardware” and “growth at all costs” crowds. For lack of a better analogy, she sits in the larger main section of the theatre often referred to as the orchestra. I sit in the “always ready for the new thing” smaller mezzaine or balcony. That analogy flips the pricing equation on its head, given that the main floor tickets are usually higher priced, but I think it holds in terms of numbers.

I own the latest models of an 11-inch iPad Pro and also an iPad mini. Love them both. I use them in similar but different ways, fitting the tool to the job of the moment. I may be a gadget geek, but I’m primarily a theatre professional. Most of my work is directing plays. Both serve me well in my job. Currently, I’m working out of town on staging The Lehman Trilogy. Both the iPad Pro and the iPad mini suitably fill my down hours with entertainment and are reliable work horses for the gig. To be honest, their roles as tools are so familiar that to call my usage “rote” would be accurate.

Background

Back in the day I was a Tablet PC fan boy. I used them primarily as a work device in the theatre. I was at one time a Microsoft MVP for Tablet PC. Those devices allowed me to quit using paper scripts in rehearsal and write my notes directly into a digital script. I could set aside my beloved yellow legal pads and not so beloved folders of research and have everything handy in digital format on a Tablet PC. The debates then were over slates versus convertible Tablet PCs.

Microsoft screwed the pooch with Tablet PCs leaving the door open for Apple. And along came the iPad. It certainly wasn’t perfect for my work initially, but it offered promise. I can’t remember  how many different stylus solutions I went through (from Adonit to Zagg) until the Apple Pencil came along. Along the way I’ve tried most of the other tablet solutions but as far as my work needs are concerned the iPad is hands down the only viable choice. I include Microsoft’s Surface tablets in the reject pile.

My Work

When I’m doing a show, work includes reading and working from scripts; research gathering and consumption; using, taking and making notes in rehearsal as well as on the research. Working with scripts, once a page gets too filled with my indescipherable scribbles, I simply open another copy and start afresh. GoodNotes is my app of choice for this. (I’ve tried them all.) It’s an easy solution for scribbling notes in the margins of a script in prep or in actual rehearsal. It also provides a way for me to archive scripts once I’m done with a show.

As a director I often walk into rehearsal with a clean copy of the script so that I’m more focused on the actors and the text and less on my notes. It’s a snap (swipe?) to switch back and forth when I need to reference my notes or research. Time is money and a limited commodity in rehearsal and I have to maximize what time I’m given.

In the early days of staging I’m primarily using the iPad Pro. It’s a Goldilocks device as far as size goes. The text and my notes are large enough to read at a glance and the size of the device is easy to tote when I move around the theatre or rehearsal room. In the stages of rehearsal when I’m mostly taking notes as the actors rehearse what we’ve done, I switch to the iPad mini for even more mobility and a bit of discretion.

My research is ongoing, but primarily done prior to rehearsals beginning. I do some of that on the iPads, but use a Mac for quite a bit of it. Apple Notes is my app of choice for all of that research gathering, though I’ve tried many others and still do. Prepping for a day’s rehearsal when I may need specific research I’ll create a note with links to those notes, the research directly, or a work list and have them handy via Slide Over. I’m still not a fan of Stage Manager although I’ve given it several attempts to win me over.

Marshall McLuhan coined the phrase “the medium is the message” in the 1960’s about human communication. For me, the same is true with my work tools. When I’m staging and working scenes the larger iPad Pro is the medium of choice and feels natural as I’m moving actors and scenery from moment to moment. When I’m watching and note-taking as the actors move through scenes on their own, the smaller iPad mini serves to remind me that I’m an observer, not a participant in the moment. If I move about the theatre while the actors are working it can be distracting if they see me a take a note. They can fall out of the moment and into a “what did I do wrong” mode of self-monitoring. So I try to be as discreet as possible.

Once we’re down to the final days of rehearsals and I have limited hours for giving notes I’ll actually return back to my Mac for preparation and organizing my notes for efficiently relaying them via email or in note sessions with the cast. Often I’ll use the Notes app on my iPhone when giving those notes in person. Once we invite the audience in for previews, I’ll stick with the smaller iPad mini for taking those notes, again for discretion purposes. When you tell an audience to put away their smartphones it’s not a good look to see a larger iPad light up while the director is taking notes. There was a time that I used a Samsung Galaxy Note in this scenario using OneNote or Evernote as the note-taking app. But those days are gone as my routine has become more focused.

For this current gig, we conducted some early table work and read-throughs of the script using Zoom. I’d be on my Mac, but have my script on the iPad Pro. My actors were using iPads for their scripts as well.

My work also consists of a lot of meetings and since I’m a now happily a freelance director I often travel for work. That means I’m often doing pre-production virtually using whatever video conferencing app the theatre uses. I’m also auditioning actors in virtual auditions. Video submissions also play a significant role. Both devices serve well in those aspects of the job, though I typically prefer the iPad Pro in those cases.

Play

Throughout this article I’ve also mentioned that I use both iPads for play as well as work. That is indeed the case. There’s downtime, and like many I use an iPad for consuming media and reading. I read a lot of scripts. The iPad mini is perfect for this whether I read the scripts as PDFs imported into Apple’s Books app, (my preference), in the Kindle app or in a PDF reader. As I’m working on this article on my Mac, I’m watching two football games in the background, one on the iPad Pro and one on the iPad mini.

Stall Surfing

Back in the day I often spoke and wrote about Tablet PCs as great Stall Surfing devices. Yeah, Stall Surfing. That thing you do when sitting on the toilet. You know you do it, whether it’s on a smartphone or a tablet. I’m here to tell you, that if nothing else, the iPad mini is the perfect Stall Surfing device. It’s sure beats reading scripts in paper or bound versions. I doubt we’ll ever see a marketing campaign featuring Stall Surfing, though.

Future Wishes

If I had a wish list for future iPads (both Pro and mini) it would be simple. I’ve heard talk that Apple might be moving away from the 11-inch size of the Pro models, thinking the Air liineup might be sufficient for most who need that size. I hope that’s not the case. It’s the perfect size and power house for my line of work. Sure, improve the larger Pros or make even larger ones, but don’t forget those of us who move around while we work and want a document sized device to work from that offers us power when we need it.

As for the iPad mini, I’d love to see that power up a bit in the next generation with an M-series processor. As to the design of both, I know new iPads without significant design changes can be boring to many. I’m not in that camp. I’d be content with these hardware designs for quite awhile to come. Both work exceptionally well for me as is. But I’m sure I’ll jump at the next models that come out regardless.

After all, I’m both a gadget and theatre geek.