The Lehman Trilogy Diaries: A Show Finds Its Home

We spent the weekend taking the stage for the first time in rehearsals for The Lehman Trilogy here at Playhouse on the Square. What a joyful and glorious weekend of rehearsals it was.

Pictured above is me (on the right) with this astounding cast, Michael Gravois, Kevar Maffit, and John Maness. We’re all smiling because we’re really enjoying this process. These three are putting their all into this beast of a play. Their roles require as much work as if they were each doing Hamlet.. They are rising to the challenge and then some.

Let me tell you it’s not often that you feel this joyful at this point (transferring from the rehearsal room to the stage), but the work is so good, so rich, so fun, and most importantly so collaborative that there’s no other way to express it. The other day I wrote about my fears of missing the intimacy of the rehearsal room before we moved. Well that intimacy transferred right along with our props and all those bankers boxes. That’s rare. The four of us, plus our stage manager, Emma White, continue to experience the work and the story almost like we don’t want each day to end. That’s a bit silly of me to say because we push each other so hard that by the time we call it a day we’re exhausted.

The best part of our transfer from the rehearsal room to the stage is that a good 85% of our work translated intact. Often in that kind of space shift you lose quite a bit. That 85% has allowed us to continue advancing the story instead of spending time adjusting what we wanted to do to new realities.

Don’t get we wrong. We’ve still got a long way to go as we begin adding the technical artistry. Those technical elements are behind so we’re working to keep the cast focused on their part of the story telling and getting a little ahead before the inevitable begins.

Today is our final day off before opening so we’ll get a brief breather. Then onward.

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome and check out The Lehman Trilogy Diaries here. 

Sunday Morning Reading

Winter is bearing down on big portions of the U.S. Some places are already digging out. I’m in one of the former portions (Memphis) that doesn’t handle it well. So today, Sunday Morning Reading will contain less links than usual. We’re rushing to get things accomplished before folks anticipate a rough time (or a snow day) in this old southern town. But don’t rush through these links.

As for winter, Zoë Schalnger has a good piece up about The Threshold at Which Snow Starts Irreversibly Disappearing.  Given deadlines and what’s impending here I sort of wish it never would appear, but that’s not the point of this article.

U.S. Politics may be a hot topic, but not enough to defeat Old Man Winter in Iowa where the first caucus will be held tomorrow for apparently no reason. The debate also rages on about the 14th Amendment. This piece from Jason Linkins, The Fourteenth Amendment Scolds Abetting Trump’s Return, turns up the heat on that issue and the media that keeps screwing up the coverage.

Natasha MH, talks about school reunions in The United States of Reunion. Great piece about the inner conflicts they can dredge up.

Smart is Not Always Wise. I concur. So does David Todd McCarty who penned this piece.

And for those who come here for a little tech, check out John Siracusa’s take on Artificial Intelligence entitled I Made This. Well worth your time.

If you’re interested in just what the heck Sunday Morning Reading is all about you can read more about the origins of Sunday Morning Reading here.  You can also find more of my writings on Medium at this link, including in the publications Ellemeno and Rome.

Lehamn Trilogy Diaries: Moving to the Stage

Last night was our final rehearsal for The Lehman Trilogy in the rehearsal room. Rehearsal rooms are often not sufficiently matched to the space a show will occupy on stage which means the first few rehearsals on stage turn into what is called “spacing.” Simply put that means you transfer the staging from a smaller space to a larger one and adjust a few things.

Often that requires quite a few adjustments. This show should require less than most as we gain more space, because our scenic anchors for the action, though somewhat different, have set our parameters and those parameters will be largely intact. It’s also an opportunity to actually stage some moments that just couldn’t be achieved in the confines of a rehearsal room with no ceiling height. This show has an overabundnce of those. That will be what today’s work will be about.

Things will feel different. Things will feel out of sorts. Things will get corrected to find their sorts. And some things will actually take on new meaning as the stage provides new opportunities. What I’ve been seeing in the “little theatre in my mind” that we’ve been rehearsing in the smaller rehearsal room, will now get its chance to take real and actual steps instead of imagined ones.

I’ll also get a chance to get some proper perspective on the story as I simulataneously get closer to it by stepping farther back. In the rehearsal room staff is literally on top of the actors. In the theatre we get to finally take the seats the audience will in viewing the story. Being able to see the big picture focuses things tighter as the aperture widens.

Most importantly, the story will get a chance to breathe. As we adjust, the wings will spread a bit.

Looking forward to this day. But I have to say I’ll miss the intimacy of the work this team has accomplished in that smaller space. There was indeed a palpable tinge of sadness as we wrapped last night.

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome and check out The Lehman Trilogy Diaries here

The Lehman Trilogy Diaries: Interpret or Learn?

The other night there was a moment in rehearslal for The Lehman Trilogy that caught me and stood out. The moment is in one of the more comic scenes of the play. Given what’s happening  around and to us in the world these days, the truth behind it isn’t very funny. Then again, sometimes comedy is the best mirror in which to see ourselves.

That moment goes like this:

Young Herbert Lehman is a trouble maker in school for always asking too many questions. His Rabbi asks the class to recite back to him the ten plagues God visited on Egypt. The Rabbi does everything in his power to keep from calling on the young troublemaker, choosing every boy in the class, until at last there’s only Herbert left to regurgitate the answer.

RABBI: I suppose I should hear the last plague from you Herbert Lehman.

HERBERT: HaShem let the children of Egypt die.

RABBI: That’s wrong, Lehman. HaShem did not do that.

HERBERT: Yes he did, Rabbi.

RABBI: No, he didn’t.

As usual, you want to interpret, rather than to learn.

According to the scripture: ‘At midnight HaShem slaughtered

every firstborn in the country of Egypt.’

Every Firstborn is not the same as ALL the children, Lehman.

HERBERT: Whatever it says, Rabbi.

I have a problem with HaShem’s decision.

Why massacre the children of Egypt who were innocent?

RABBI: Lehman…

HERBERT: I have a problem with all of the plagues.

RABBI: Lehman! This is intolerable!

HERBERT: In my opinion, HaShem – instead of wasting time with plagues – should have simply killed the pharaoh…

RABBI: HaShem does not take advice from Herbert Lehman!

Interpret rather than to learn” is what caught and what catches. For much of our lives, and I daresay for much of the lives of those who’ve populated the planet since humanity wiggled out of the slime we’ve been both blessed and plagued by the margins between “interpreting” and “learning.” Witness current events and how violently we seem to disagree over interpretations of things we’ve supposedly learned.

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome and check out The Lehman Trilogy Diaries here

Charged Up Cubism: The Anker 3-in-1 Cube with Magsafe

Cubism is an art form popularized by Pablo Picasso, George Braque, Jen Metzinger and a bevy of other artists. Cubism can be fun and funky. It can also be confusing. Either way it can generate some highly charged opinions. The Anker 3-1-Cube with Magsafe is certainly not what I’d call a work of art, but it is a nifty piece of Magsafe charging tech packaged in a funky little cube.

I received an Anker 3-in-1 Magsafe charging cube as a Christmas gift and am using it on my current month-and-a-half long gig away from home to charge an iPhone, Apple Watch and AirPods. Straight up I like the device quite a bit and am very grateful it was gifted to me.

Right out the box you get a small gray cube. It’s heavier than its roughly 2.5 inch footprint suggests, weighing in at 14.46 ounces. It deceptively makes you think the cube contains a battery, but it does not. It’s solidly built for the most part. Flip open the top and you can attach an iPhone via MagSafe for charging or to use in StandBy mode. You can also just plop your iPhone on top of the cube without flipping up the top. Press in on the small side shelf and out pops a small charging adapter for the Apple Watch. That watch charging shelf does feel a little finicky at times and I’m not sure if pressing it in and out constantly won’t eventually yield to failure. The lid angle is adjustable so using it for viewing something on your iPhone works well. With the lid flipped all the way to its maximum angle you can place your AirPods under that angled lid to charge them up.

Yes, you can charge all three devices at one time. With all three devices charging it takes Cubism into an sort of modern realm. The device comes with a 30-watt charging plug and a decently long cable (5 feet). No this isn’t a mobile charger, it’s meant to be used plugged in, which may mitigate the hefty weight. Anker’s cube supports 15-watt charging for compatible iPhone models and suppots fast charging for Apple Watches as far back as version 7.

The cube is a bit pricey currently running in the $150 range on Amazon, Apple and other outlets. I had looked at this when it first came out and ruled it out for my gadget collection due to the price compared with other options available. One of the things I like about it is the small compact size compared to many other charging stands and mobile charging options currently on the market that tend to look like jewelry stands. Given that some of my gigs require weeks long stays, I’m glad the Anker 3-in-1 Cube with MagSafe was gifted to me. I won’t mind its surprising weight when packing a suitcase, and I do indeed like this quirky, little, somewhat heavy cube quite a bit.

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome.

The Lehman Trilogy Diaries: Expanding the Team

We’ve been hacking away at The Lehman Trilogy for a few weeks now. Three cast members, a director, and a stage manager in a rehearsal room, collectively working through an extremely fun, yet densely challenging script, beat by beat, moment by moment. I can speak for that small cadre that we feel very good about our work so far, and a bit terrified by the work ahead. Tonight we do a run-thru for the design team and the production staff and the inner circle expands.

The designers and production folks have had their brains on this for awhile now, but tonight is the first time they will be in the room where it happens, exposed to more than just my words and rehearsal notes about what is exactly is happening with the story we’re trying to tell.

I have a love and hate relationship with designer run-thrus. First, they are a necessary part of the process. Challenges become more real and collaboration becomes more possible. On the other hand, it also kicks things into another gear for the actors. All of a sudden they feel ike they’re performing instead of just advancing the work reherarsal to rehearsal. The atmosphere becomes less safe. Not in any dangerous way, but in a way that usually invovles a step or two backwards before allowing things to begin moving forward again.

We’re still in the rehearsal room, safely tucked away on the 5th floor, anxious to get to the stage. But we’re not done here yet. As inhibited as this room is compared to the actual less confining confines we’ll be inhabiting soon, it’s become home, familiar and comfortable, yet growing tired and small as the cast’s work is begging for the space the stage will provide.

As an example, a good portion of the staging features actors standing on a conference room table, and we don’t have the ceiling height to make that possible in the rehearsal room without the actors crashing their heads into the drop ceiling tiles.  We’ve come up with some interesting, occasionally humorous alternatives for those moments, yet they yearn to play in the full height and freedom of the stage.

So, embracing both the love and hate, we’ll grow the team tonight as we prepare for the next steps. Should be fun. Should be scary. Should be quite a show…er…um…rehearsal.

Some Things We Just Know On The Merry-Go-Round We Call Life Today

On the merry-go-round of life some things we just know. Some things we just know but find that others want to pretend something different. Here are some things we just know.

Donald Trump is a criminal, a rapist, an insurrectionist, a scumbag, a loser, a lousy liar, and more beyond redemption than most of the evil people in recorded history. He’d love to top even that list. He wants to dismantle the US Constitution and any other aspect of governance as long as he can stay out of a prison jump suit that might clash with the color of his makeup while grifting his way to the grave.

The Republican Party is the largest collecton of cowards and liars ever gathered under the guise of a political party, afraid of any shadow with a hint of orange in it, and terrified of the ignorant constiutents they represent and claim to love. They deserve whatever comes from their cowardice and lying. The rest of us don’t.

Elon Musk is a drug-addled fool who just happens to control a few companies, somehow has a national security clearance, a hoard of wealth, and could care less about anything other than for whatever is in his brain at the moment. Or the next.

Too many American voters don’t know which way to turn because either fork in the road seems like a tortured path. Too many American voters need to pay better attention, because if they are not careful they’ll lose the ability to make choose how severe the torture is going forward.

Big Tech isn’t Big Tech anymore. Big tech, like most other human endeavors, is in the Big “Let’s Make All The Money We Can before the merry-go-round stops” game. The merry-go-round always stops.

Artificial Intelligence can be both a boon and a bust. It will be both. You don’t have to be intelligent or real  to see that coming. 

Social Media can be fun. Social Media can be harmful. In either case, only if you let it. 

Wars are destructive, foolish expressions of ego and and desire. Rules and Laws of War are silly made up sing-songs  to allow men to destroy each other and anyone in their way in service to those egos.

The Media is a mess of its own making in covering any of the above, and seems to enjoy swimming in its own slop with its mouth agape. Anyone in their right minds would have stopped the bleeding by now. Unless they just enjoy self-harm. But if it bleeds it leads. Even it’s draining the lifeblood out of you.

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome.

Sunday Morning Reading

We just commemorated the anniversary of the history altering events of January 6th. So some of thse links in this weeks’ edition of Sunday Morning Reading will reflect that. Not all. But some. If that turns you off, apologies in advance. Not to you. Because of you.

Kicking it off is David Todd McCarty’s Who’s Teaching You a Lesson? Read it damnit.

Driftglass offers up The Art of Persuasion is Over. Short. Sweet. Persuasive.

David French offers up The Case of Disqualifying Trump is Strong. I agree. Too bad the judges it will be argued in front of are not.

David Graham tells us How Trump Taught America to Tolerate Brazen Corruption. We’ve always tolereated corruption. Most of us just don’t want it flaunted openly in our face by a bunch of bragadocius buffoons.

Changing the tune, check out To Own The Future, Read Shakespeare. Not what you think. It’s about tech and the liberal arts. Great read.

NatashMH wonders how the plot got lost regarding feminism in We Were Once Dragons and Phoenices. Another great read.

And then for something completely different, check out Dana Milbank’s I Killed A Deer From My Bathroom.

If you’re interested in just what the heck Sunday Morning Reading is all about you can read more about the origins of Sunday Morning Reading here.  You can also find more of my writings on Medium at this link, including in the publications Ellemeno and Rome.