Politics – Page 7 – Life on the Wicked Stage: Act 3

Finishing Ken Burns’ The American Revolution

The series is complete. As a nation the question remains open.

We completed watching Ken Burn’s excellent The American Revolution this week. Thank goodness for streaming, allowing us to view it on our schedule. Two spoiler alerts. First, we won the war. Second, we’re still struggling with many of the differences that made the formation (and perhaps the continuation) of what would become the Untied States such a close thing.

The series is excellent and I highly recommend it. Burns and his team do their expected thorough job of researching and producing the documentary. We’re lucky there were so many letters written by those beneath the status of the cast of characters most of us could identify at a glance, because that material provides much of the content and texture inside the frame.

The production does it’s job so well that my hunch is some will come away learning things they never knew about a period of our history we’ve wrapped in so many myths it would keep troops at Valley Forge warm. I would also guess that in today’s political and social climate there will be far too many who tune out or don’t tune in because they prefer the comfort of the mythology.

Which is a damned shame. As I said in an earlier post about the series:

I’m not hearing things differently, but I’m hearing how folks can take their own meaning out of many of the things written and said during that period that led to this country’s founding. History may indeed rhyme, but it also echoes. Often in strange ways.

If you have followed any of Burns’ work you know his approach to American history is to tell the parts of stories we leave out of the picture. I grew up in a part of the country where you could turn your head left or right, spit, and hit the history of the American Revolution or the Civil War. I count myself lucky that my 10th grade history teacher kept reminding us that there was so much more to discover about our past than he had the time to teach us, planting a seed of curiosity that continues to grow inside of me to this day decades later.

Ken Burns and his team continue to keep that curiosity growing. We should all be grateful and unafraid that they do so.

You can also find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome. I can also be found on social media under my name as above.

Read ’em. Maybe Weep. Maybe Get Pissed Off. But Read ’em

Blood, some boiling, some cold, but killer writing.

Life on the Wicked Stage readers will be familiar with the Sunday Morning Reading column wherein I share good writing and interesting topics. Sometimes things fly across my radar after I’ve published the week’s column. Three pieces hit and hit hard late on Sunday after the Chicago Bears continued a mysterious, but gratifying winning streak. I’m going to share those stories here, on a Monday. The writing is too hot to let cool, and the subject matter burns even hotter.

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First up, is an excellent piece by Will Bunch called The Night America’s Doomed Ruling Glass Gorged On Lamb, Blood, and Oil. Bunch puts the elite on the menu and carves them up with a bone saw.

Next, check out Anand Girdhardas’ excellent How The Elite Behave When No One Is Watching: Inside the Epstein Emails. A vivisection that exposes what we all imagine.

Finally, read Tatiana Schlossberg’s A Battle With My Blood. A Kennedy family member, dying of incurable blood cancer eloquently tells her story, and ours.

You might think these pieces tilt into the category of just another round of depressing news and commentary. Partly that’s true. But it’s a small part for small minds. I find each of them reassuring. Reassuring that smart people, spilling words like blood on digital paper, can pour out the pain we’re all living through personal pain of their own, and decipher the day-to-day charades even as the current deadly and dangerous game continues.

I’d say the writing is courageous, but that’s obvious. The real courage comes in reading what’s written and paying enough attention to make it matter. Perhaps sharing them around this Thanksgiving week when we give thanks for our blessings with family and friends. Especially those we disagree with.

Be thankful. Be courageous.

(Image from Militarist on Shutterstock)

If you’re interested in just what the heck Sunday Morning Reading is all about you can read more about the origins of Sunday Morning Reading here. If you’d like more click on the Sunday Morning Reading link in the category column to check out what’s been shared on Sunday’s past. You can also find more of my writings on Medium at this link, including in the publications Ellemeno and Rome.

Sunday Morning Reading

Art matters. If you listen.

It’s another Sunday in this insane world, so it’s time for some Sunday Morning Reading. It won’t cure what ails you, or the world. But there are those who are listening. Listen as you read.

Aren’t You Tired Of Feeling Insane All The Time? Marie Le Conte asks that question. I’m not sure anyone can plug the hole in that boat, but acknowledging that we’re sinking is the first step.

David Todd McCarty tackles The Lost Art of Listening.

NatashaMH recently launched an exhibition of her art. Launching anything can take life out of you, launching any display of art exacts even more of the soul than it does the physical being. But as she says in The Social Life of Art, “art demands resilience, and resilience demands a sense of humor.”

I wrote a bit this week about what Mark Leydorf has to say about The Rise of Resistance Cinema In The Era of Trump. It’s worth highlighting his piece again here.

I’ve been watching the Apple TV series Pluribus with great curiosity. If nothing else, the show echoes Mr. McCarty’s opening to his piece linked above. (Warning. Don’t watch the show with my wife.) Dani Di Placido thinks he’s got it all figured out in What Is ‘Pluribus’ Really About? Perhaps he does. I’m not so sure. I’m also not sure the show’s success or failure relies on figuring it out in the end.

I’ve been linking to some of the goings on at The Kennedy Center under this corrupt administration. Trust me when I say what’s happening there is causing shock waves across board rooms in arts institutions across the country as everyone looks to uncertain and unknown futures with no script to follow. It’s affecting the art. It’s affecting the business of art. It will affect the art in ways we can’t begin to imagine. Janay Kingsberry examines how Senate Democrats Are Investigating Kennedy Center’s Deals And Spending.

Most of the links this week touch on the arts in one way or the other. In a way this tech topic does as well, given that so many want to turn emoji’s into some form of art. Benji Edwards examines the origins of this move back to hieroglyphics with the piece, In 1982, A Physics Gone Wrong Sparked The Invention Of The Emoticon. Art by accident often is the art that sticks.

(Image by Roman Kraft on Unsplash)

Filmmakers, Storytellers and The Resistance

Storytelling in conflict

Writing for Bloomberg, Mark Leydorf makes a case that movies are taking up the whistles of resistance in The Rise of Resistance Cinema in the Era of Trump. He’s right but he shortcuts the great history of storytelling.

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He’s correct that there are a number of films being released, along with those already past their big screen sell by dates, featuring stories and themes that can’t help but strike resonant chords for those repelled by and rebelling against the current political moment we’re living in.

He doesn’t have to reach too far beyond his initial example of Wicked: For Good to create a long list of titles to support his thesis. A thesis I buy, even though I think it serves cinema history, and storytelling in general, a bit short in the end.

In compiling his list, Leydor says:

The list goes on:

Eddington, Bugonia, Sirāt— there’s a reason directors are digging into stories of conflict, paranoia and cataclysm. Taken together, these films, most of which were conceived and went into production during Donald Trump’s interregnum, between the insurrection of Jan. 6, 2021, and MAGA’s triumphant return to power, have coalesced into a troop of cinematic resistance amid the conflicts and crises defining his political era and the rightward, nationalistic turns happening broadly around the globe.

I’ll reach into that quote and point out that all successful storytelling, on the screen, on the page, on the stage, around campfires, or told sitting on bar stools involve some form of conflict, paranoia, and cataclysm. Even top rated fare on the feel good Hallmark Channel features conflict. Heck, they have to make it up on Reality TV. Without conflict you don’t really have much of a story. Goodness knows we’re overripe with enough conflict to tell thousands of stories at the moment.

While focusing on this current crop of films, Leydor is spotlighting a point in the long timeline of story telling. These current storytellers are doing what storytellers do, bringing their near term reactions to whatever is in the zeitgeist at the moment, following traditions established long before Hollywood executives ever got involved in a script conference or endings became focus group fodder.

Frankly, I’m glad to see such a strong list of filmmakers telling these stories at this moment. We need to see ourselves reflected back in the mirror we hold up to nature, before it’s all AI generated. The same is happening on stages, in late night television comedy, and from the keyboards of many authors. Given how none of us knows how this moment is going to play out, it’s fascinating.

Note that Leydor points out that most of these films were conceived and green lit after the first Trump administration and prior to this second one.

I had the privilege in the Fall of 2022 to direct three one-act plays from Ukrainian playwrights about the effects of the Russian invasion that had begun earlier that year in February. The writing was alive, fresh, and as urgent as the wounds were then. That writing still is today, even though now those stories are snippets of a longer story still unfolding to an end no one knows.

Historically few stories springing up in any current conflict, regardless of medium, retain staying power beyond almost artifact curiosity. It’s usually the stories told after the moment passes that last and define with more resilient resonances, even as their lessons are forgotten by those too eager to write what they think will be a different ending.

What will be more fascinating to watch is how many of these current films are remembered years or decades from now, once this historical moment does pass.

Whatever that turns out to be.

(Image from Skylines on Shutterstock)

Find Beauty When and Where You Can

Stop and smell the roses

A Mastodon user sent me a direct message the other day asking why I felt so comfortable doing what I do every morning, which is posting a “Good Morning” toot featuring photos I’ve taken of flowers, tree leaves changing color, other shots of nature, holiday ornaments, etc….

The context of the query was criticizing how I could continue to do that every morning given all of the terrible things going on in the United States, things I also rightfully describe on social media as horrors.

I get it. Believe me I get it. I’m overwhelmed at times as well. But my response was and is simple.

Stop and smell the roses.

While there are indeed horrors happening in the world there is always beauty. If we don’t take a moment to see and acknowledge the beauty around us and the spontaneity of discovering it, whether it be in nature, in very human moments, in a museum, a gallery, a stage, a movie theater, a concert hall, a photograph, a child’s laugh, or in a story, then what the hell are we fighting for?

I’m convinced those we are fighting against don’t see or even care to see the beauty around and within us, unless it involves increasing their bank account balances.

Sometimes you need to stop and smell the roses. I prefer doing so in the mornings, before I put on my armor to meet the challenges of the day.

Watching Ken Burns’ The American Revolution

Context is everything

Started watching Ken Burns’ The American Revolution last night. It sounds almost trite, but it’s typical Ken Burns (and his collaborators) historical documentary excellence.

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What struck me is how I’m hearing things I’ve read and heard over and over again about the period leading up to the American Revolution. So far, (only two episodes in) the history is as I studied it. And by studying it, I mean well below the surface of the myths folks of my generation were taught in school.

I’m not hearing things differently, but I’m hearing how folks can take their own meaning out of many of the things written and said during that period that led to this country’s founding. History may indeed rhyme, but it also echoes. Often in strange ways.

That’s certainly true if all you hang your tri-cornered hat on are the myths.

Sunday Morning Reading

Small acts

It’s only business they say. Nothing personal. That’s the way the world works. Well, what I share each week in Sunday Morning Reading always comes from a place of personal interest. That may not be how the world works, but it works for me and I hope it does for you. Call it a small act.

In the wake of the continuing and confounding ICE occupation of Chicago comes a terrific piece by Kyle Kingsbury called I Want You To Understand Chicago.

Follow that up with a ProPublica piece by Melissa Sanches, Jodi S. Cohen, T. Christian Miller, Sebastian Rotella and Mariam Elba about the nighttime raid on a Chicago apartment building that featured men rappelling from Black Hawk helicopters, and all of the residents emptied on to the streets with many of their belongings. The punchline is in the article’s title, “I Lost Everything”; Venezuelans Were Rounded Up In A Dramatic Midnight Raid But Never Charged With A Crime.

A Nation of Heroes, A Senate Of Cowards by Will Bunch calls it like it is and much the way I see things after last weekend’s actions in the U.S. Senate.

Growing up, I never understood the cliché, “it’s nothing personal, it’s only business.” Frankly I still don’t. It excuses too much that I find wrong about the way the world works. Charles Broskoski examines the personal side in Personal Business.

And speaking of the way the world works (or doesn’t) in the midst of the Epstein fever I don’t think we’ll ever shake, Sarah Lyons points out that the violence in his and others’ actions is something we all live with in This Is How The World Works. It shouldn’t be.

Corbin Trent says We Didn’t Kill American Manufacturing—We Let It Die. He’s spot on.

Mark Jacob tells us How News Coverage Eases Us Into Tyranny. However this saga we’re living through ends up, one thing is for certain. The media has killed any chance of returning to what it once was.

Hardly a day goes by that we don’t read of some nefarious business practice spilling out of Mark Zuckerberg’s Meta. Turns out Meta is knowingly leeching off of scammers to the tune of about 10 percent of its revenue. I guess that makes Meta and Zuckerberg a scammer too. Cath Virginia has the writeup with Meta Must Rein In Scammers — Or Face Consequences. I doubt they will.

The Internet Archive is under attack in the same way libraries, media organizations, and text book publishing is. It shouldn’t be. Mathew Ingram has the lowdown in The Internet Archive Should Be Protected Not Attacked.

On a more positive note, Jeff Veen tells us how Small Acts Build Great Cultures. Boy, do we need lots of small acts these days.

To close out, did you ever wonder where collective nouns like “a watch of nightingales” or “an ostentation of peacocks” come from? For many years it was assumed that the anonymous author of this collection of collective nouns was the work of a “gentleman of excellent gifts” written down in one of the first books printed after the invention of The Gutenberg Press, The Book of Hawking, Hunting, and Blazing of Arms. Turns out the author was a woman named Juliana Barnes. Maria Popova has the story in A Parliament of Owls And A Murder Of Crows: How Groups Of Birds Got Their Names, With Wondrous Vintage Illustrations By Brian Wordsmith.

(Image form Ganesh Narahanan on Unsplash)

Death By Lightning: A Mini-Review for a Mini-Success

Music, fighting, sausages

Candace Millard’s excellent non-fiction book Destiny of the Republic: A Tale of Madness, Medicine and the Murder of the President is often overlooked, though it was well received well when it debuted in 2011. I’m hoping that the new Netflix adaptation titled Death By Lightning will give Millard, her book, and the period of American history it chronicles more well deserved and appropriate notoriety.

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Yes, this is one of those many cases where the original source material far outshines the film/TV version. That said, Death By Lightning is worth a watch, if nothing else for an entertaining opportunity to dip your toes into the historical waters that are still affecting much of what we’re wading through today in an age when those in control are so eager to pour cold water on the pieces of history they don’t like.

More to the point, Death By Lightning touches on a piece of history from a tumultuous time that seems largely forgotten, that we perhaps might have learned better from, even before we got into this current mess. A poignant, late scene sets this up wonderfully.

Created by Mike Makowsy and directed by Matt Ross, Death By Lightning is a limited Netflix series, that chronicles the unlikely rise of James Garfield to the presidency and his assassination by Charles Guiteau. (If you think anything in this brief review is a spoiler it proves my earlier point.)

There are four episodes and in the end that’s part of what weakens the series as it doesn’t allow much time for much of the depth of Millard’s book. Towards the end it feels like it’s rushing to a conclusion, leaving me wondering how much got left on the cutting room floor or chucked away in the C-suite.

An excellent cast largely rises to the occasion featuring Michael Shannon as Garfield and Matthew MacFadyen as an over the top Guiteau. That said, Guiteau was apparently quite over the top in real life according to many accounts, so much so that there are so many accounts. They are well supported by Betty Gilpin, Shea Whigham, Bradley Whitford, and especially Nick Offerman in a scenery and sausage chewing turn as Chester Arthur, who succeeded Garfield.

One of the wonders of Millard’s book is that it featured an intersection of so much of American life at the time following the Civil War, from politics to science and medicine. The battle between the politics of the spoils system and a desire for a less corrupt civil service system is well chronicled in both the book and the series and adds interesting context to our current tariff tangles that I’m guessing most will find surprising.

If you’re frustrated by recent happenings in our current day Congress and politics both the book and the series will add some historical (and often entertaining) context to the mess we’re in.

Less featured in the series are the conflicts in medicine with many American physicians of the day rejecting what had become largely accepted in Europe as a new approach to germs and sanitary surgical practices. Not really a spoiler, Garfield was shot, but it wasn’t the bullet that killed him. He died from sepsis caused by infection due to unsanitary practices in the aftermath. If you’re detecting hints of the medical madness we’ve been living through since the pandemic, you’re not wrong.

Alexander Graham Bell also makes an appearance with a new invention that could possibly detect the bullet lodged in Garfield’s gut, but the fuller story about his scientific advances and entrepreneurship, which runs on an almost parallel path to Garfield and Guiteau’s in the book, is mostly left as a footnote in the Netflix series.

Again, it’s by no means a perfect piece of streaming entertainment. I highly recommend the book on which it is based and I would mildly rate it better than most of the mundanity that fill our screens instead of the lists we curate. The cast and the exposure to a forgotten moment in American history that I’m certain many have no clue about makes it a good candidate for your watch list.

Besides just getting a chance to see Nick Offerman toss out the line, “Music, fighting, and sausages” is worth the time spent.

Elections, Government Shutdowns and Other Quick Thoughts

Can dangerous actions continue to outstrip broken politics?

Just a few quick thoughts.

Without question I have to say I’m very pleased with the Democratic election victories across the country last night. Both the winners and the size of the margins in the headline races for governors, NYC mayor, and redistricting in California. I’m even more pleased to see some of the down ballot races yield Democratic victories as well.

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Especially in my home state of Virginia where the Democrats took enough seats to have quite a majority in the House of Delegates. Here’s hoping that yields very positive results for the newly elected Democratic governor.

Obviously everyone is going to parse all of these election results and find ways to celebrate, castigate, and even dismiss what’s obvious. People are pissed off. They need to remain so.

Today also sets a record for the longest government shutdown in American history. Real people are being affected by this and that will only continue and get worse as long as the shutdown does. Of course when you have one house of Congress refusing to gavel into session and also refusing to swear in an elected member, who knows how long things will last.

In so many ways, the GOP and Trump’s tactics have been the biggest act of self-mutilation and self-humiliation by a political party I think the world has ever seen.

They will never acknowledge that.

Voters sure did.

Meanwhile the evil continues in Chicago and other places as ICE keeps ramping up its horror campaign. That’s not going to abate soon. I heard this morning that yesterday they were checking people’s IDs at the entrance to my local grocery store’s parking lot.

Perhaps those digging these holes that they will someday bury themselves in will keep ratcheting up their insidious actions to a point where events continue to outstrip the usual to and fro of politics. That’s a weird and painful thing to hope for, but it might just be our best hope at the moment.

And on we go.

Sunday Morning Reading

No tricks. No treats. Just thoughts and reading worth sharing.

The frights of Halloween have passed us by, but real life horrors remain and expand. Never had more gut wrenching emotions this weekend than spending it with my grandkids costumed in their bountiful innocence, avoiding what’s out there in a life they’ll one day have to face, but in the present doesn’t exist beyond the edges of any joyful moment of wonder and exuberance they can conjure. This week’s Sunday Morning Reading won’t touch on too much of that, but then again, I think it just did.

David Todd McCarty thinks amidst it all We Can Be Heroes. Making my grandkids laugh uncontrollably makes me feels damn close.

Adam Gropnik visits the home of the poet Wislawa Szymborska and returns with How To Endure Authoritarianism.

Will Bunch says It Didn’t take A Reichstag Fire To Burn Down Congress. He’s correct. It didn’t even take a match.

Some interesting writing on Artificial Intelligence and the Internet this week that’s worth your while, first up Cory Doctorow tackles When AI Prophecy Fails.

Will Douglas Heaven explains How AGI Became The Most Consequential Theory Of Our Time.

Tim Chinenov wonders Who’s Creating The Rage Bait That’s Radicalizing You?

Decidedly not on the Internet Friday night while trick-or-treating with my grandkids, though not in my besieged town of Chicago, I witnessed not only kids howling with fun, but adults who joined in on the fun with their own costumes and decorated homes, some elaborate, some not so, all with love and honoring a tradition I’ve never seen in the communities I’ve lived in. Many families set up in their driveways, some with small fire pits, some with tents, tables full of food (and candy), welcoming all comers to their Halloween semi-tall gating front yards. I also noticed the adults who just sat in their cars and slowly followed their children down the block. The entire experience reminded me of this piece from the summer in which Joan Westenberg says every creator pays a tax while the rest stay spectators in The Unbearable Lightness of Cringe. Pay the tax.

And closing out this week, kudos to both the Los Angeles Dodgers and the Toronto Blue Jays for an excellent World Series, which the Dodgers won. Both teams played a splendid series and provided an incredible Game 7 finish to one of those contests you never want to see end, but know it must. Grown men over compensated for incredible talent, playing a kid’s game like kids, thrilling and heart breaking in the same breath. Too bad we don’t have any great, or even good, baseball writers to chronicle the moment these days.