Category: Lehman Trilogy

The Lehman Trilogy Diaries: Standing O!

We’re open. The Lehman Trilogy opened last night to a well deserved standing ovation from the first night crowd. Well deserved, if I may say so.  It was a great night for all associated with the production, a great night of theatre for all attending, and a great moment of recognition for some pretty damn good storytellers.

This story begins with the script, but in the moment in the theatre it’s all about the actors. These three, John Maness, Michael Gravois and Kevar Maffit, did a remarkable job and captivated the audience from the first moments in this challenging tale that unfolds over three acts. Actually, the word remarkable sells their efforts short. Individually they are each terrific. Together they are beyond whatever dynamic means. They made strings of numbers and lists of names sing and moments of truth cut like a knife. I’m so grateful for their efforts and my association with them.

As we kept meeting challenges in this final grueling week there were moments when you could feel just how badly the three of them just wanted this show. Tireless and relentless, they wouldn’t let a moment pass when they weren’t working like madmen. I was right there with them. Some shows are just another show. Some are just jobs. This one was and is one of the special ones. Because of the plays length and its heft it’s not going to be put on many theatre schedules. We consider ourselves lucky to say we’ve done The Lehman Trilogy. We’ll have that forever. And boy do we have stories to tell and laughs to share that only a few people will ever understand.

Kudos to all who worked on the show. To those who will see it in the weeks ahead, you’re in for a rare treat. I hope you enjoy the story and much as we enjoyed telling it. Because we enjoyed the hell out of it.

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome and check out The Lehman Trilogy Diaries here. 

The Lehman Trilogy Diaries: Dancing on the Edge of the Light

We’re right there on the edge. On the edge of completing this production of The Lehman Trilogy. On the edge of creating something special. It’s all there, ready to come into complete focus. Everyone can feel it. It’s like dancing on the border between the light and the dark. One step either way and you have a good show or a great show.

We’ve got two more rehearsals left. Some gaps to close. Some hard decisions to make on those we can’t. The rest is about sharpening the focus. Everyone’s working full tilt.  We’re like the tightrope walker in the play. He eventually falls. We won’t.

Onward.

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome and check out The Lehman Trilogy Diaries here. 

Sunday Morning Reading

From deep in the heart of the frozen South here’s some Sunday Morning Reading to share. A slimmer list of links this weekend as we head into the final week of rehearsals for The Lehman Trilogy fighting the cold, burst water pipes and other winter wonders. Looking forward to putting the tech touches to this show and heading home to Chicago. Oh, wait. It’s winter there too. Meanwhile stay warm and enjoy this week’s Sunday Morning Reading.

As someone who wakes early, even in the crazy late night weeks of directing a play, Scott-Ryan Abt’s What Do You Do at 3am? feels very familiar.

Richard Zoglin takes on all the pre-movie promotional stuff tossed at movie goers in When Is This Movie Really Going To Start? I’ve Been Here Half an Hour. My going to the movies habit began changing long before the pandemic because of this.

NatashaMH takes us on a tour of life through a visit to a bookstore in Small Wonders In A Big World.Wonderful.

David Todd McCarty takes us the long way around in telling this story about story telling in ‘Round The Outside. He’s also wondering Where Have All The Hitmen Gone?

Steven Levy takes us through the evolution of the Mac in Apple Shares The Secret Of Why The 40-Year-Old Mac Still Rules.

Lulu Garcia-Navarro interviews Kevin D. Roberts the head of the Hertiage Foundation in Inside The Heritage Foundation’s Plans for ‘Institutionalizing Trumpism.’ If you want to know where the crazy comes from on the right, talk to Kevin.

If you’re interested in just what the heck Sunday Morning Reading is all about you can read more about the origins of Sunday Morning Reading here.  You can also find more of my writings on Medium at this link, including in the publications Ellemeno and Rome.

The Lehman Trilogy Diaries: Pure Adrenaline

Adrenaline is a funny thing. It can drive you further and faster. Call it a high. Stories are legion of an adrenaline rush giving folks superhuman-like powers in extreme circumstances. But the bill always comes due once the rush is over and the crash happens.

I’m rehearsing this beast of a play, The Lehman Trilogy, while suffering a bit with a pulled groin. Yeah, that slows you down. During the day I do my usual treatments to ease the pain and get around as best I can doing a bad Walter Brennan impression.  I’ve had this problem before so there’s a ritual and a regime. But in the moments before rehearsals begin I feel things easing up and never notice it at all once we commence and push through rehearsal.

One of the characters in the play ends a monologue with the following:

LEHMAN CORPORATION. Created by Philip Lehman.

Pure finance.

Invest money only to make money. No companies to fund.

No industries to launch. No markets to explore. Pure money.

Pure adrenaline

Well, we all know how that ended.

Sure enough, once rehearsal ends though I pay for it as the pain comes back bit by bit and so it’s back to the ritual. Unitl the next rehearsal. Probably not healthy to be doing things the way I am, but hey, we open a week from tonight.

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome and check out The Lehman Trilogy Diaires here. 

The Lehman Trilogy Diaries: Jacks of All Trade

When you’re in school (which was ages ago for me) learning your craft and finding out if you have a voice worth sharing as a theatre director, no one teaches you many of the lessons you will one day need to apply in doing what you love. I’m guessing that applies to most pursuits in life. There are times though that can try your patience unless you were brought up with a father like mine who taught you how to deal with the crazy curve balls that get thrown at you from plumbing to staying warm to how to navigate unexpected weather disruptions.

As I sit here this morning in this lovely Southern town beset by the vagaries of winter, compounded with the already slower rhythms native to the region, we’re having lots of fun trying to keep The Lehman Trilogy ship sailing along. Winter weather is playing havoc with all the usual fun things that come with it: icy conditions, burst pipes, power outages, travel and delivery woes, and a pulled groin from bailing water from one of those burst pipes. I’m not blaming anyone for the choices they are making. Life sucks here for most right now and folks have to make their own choices.

Fortunately, we’re reasonably self-contained as an ensemble and have kept our work on course as we head into technical rehearsals this weekend. I’m sure (hope?) we’ll find our footing and head into next weekend’s opening in good shape. Things usually work out that way in this game.

Onward

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome and check out The Lehman Trilogy Diaries here. 

The Lehman Trilogy Diaries: A Show Finds Its Home

We spent the weekend taking the stage for the first time in rehearsals for The Lehman Trilogy here at Playhouse on the Square. What a joyful and glorious weekend of rehearsals it was.

Pictured above is me (on the right) with this astounding cast, Michael Gravois, Kevar Maffit, and John Maness. We’re all smiling because we’re really enjoying this process. These three are putting their all into this beast of a play. Their roles require as much work as if they were each doing Hamlet.. They are rising to the challenge and then some.

Let me tell you it’s not often that you feel this joyful at this point (transferring from the rehearsal room to the stage), but the work is so good, so rich, so fun, and most importantly so collaborative that there’s no other way to express it. The other day I wrote about my fears of missing the intimacy of the rehearsal room before we moved. Well that intimacy transferred right along with our props and all those bankers boxes. That’s rare. The four of us, plus our stage manager, Emma White, continue to experience the work and the story almost like we don’t want each day to end. That’s a bit silly of me to say because we push each other so hard that by the time we call it a day we’re exhausted.

The best part of our transfer from the rehearsal room to the stage is that a good 85% of our work translated intact. Often in that kind of space shift you lose quite a bit. That 85% has allowed us to continue advancing the story instead of spending time adjusting what we wanted to do to new realities.

Don’t get we wrong. We’ve still got a long way to go as we begin adding the technical artistry. Those technical elements are behind so we’re working to keep the cast focused on their part of the story telling and getting a little ahead before the inevitable begins.

Today is our final day off before opening so we’ll get a brief breather. Then onward.

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome and check out The Lehman Trilogy Diaries here. 

Sunday Morning Reading

Winter is bearing down on big portions of the U.S. Some places are already digging out. I’m in one of the former portions (Memphis) that doesn’t handle it well. So today, Sunday Morning Reading will contain less links than usual. We’re rushing to get things accomplished before folks anticipate a rough time (or a snow day) in this old southern town. But don’t rush through these links.

As for winter, Zoë Schalnger has a good piece up about The Threshold at Which Snow Starts Irreversibly Disappearing.  Given deadlines and what’s impending here I sort of wish it never would appear, but that’s not the point of this article.

U.S. Politics may be a hot topic, but not enough to defeat Old Man Winter in Iowa where the first caucus will be held tomorrow for apparently no reason. The debate also rages on about the 14th Amendment. This piece from Jason Linkins, The Fourteenth Amendment Scolds Abetting Trump’s Return, turns up the heat on that issue and the media that keeps screwing up the coverage.

Natasha MH, talks about school reunions in The United States of Reunion. Great piece about the inner conflicts they can dredge up.

Smart is Not Always Wise. I concur. So does David Todd McCarty who penned this piece.

And for those who come here for a little tech, check out John Siracusa’s take on Artificial Intelligence entitled I Made This. Well worth your time.

If you’re interested in just what the heck Sunday Morning Reading is all about you can read more about the origins of Sunday Morning Reading here.  You can also find more of my writings on Medium at this link, including in the publications Ellemeno and Rome.

Lehamn Trilogy Diaries: Moving to the Stage

Last night was our final rehearsal for The Lehman Trilogy in the rehearsal room. Rehearsal rooms are often not sufficiently matched to the space a show will occupy on stage which means the first few rehearsals on stage turn into what is called “spacing.” Simply put that means you transfer the staging from a smaller space to a larger one and adjust a few things.

Often that requires quite a few adjustments. This show should require less than most as we gain more space, because our scenic anchors for the action, though somewhat different, have set our parameters and those parameters will be largely intact. It’s also an opportunity to actually stage some moments that just couldn’t be achieved in the confines of a rehearsal room with no ceiling height. This show has an overabundnce of those. That will be what today’s work will be about.

Things will feel different. Things will feel out of sorts. Things will get corrected to find their sorts. And some things will actually take on new meaning as the stage provides new opportunities. What I’ve been seeing in the “little theatre in my mind” that we’ve been rehearsing in the smaller rehearsal room, will now get its chance to take real and actual steps instead of imagined ones.

I’ll also get a chance to get some proper perspective on the story as I simulataneously get closer to it by stepping farther back. In the rehearsal room staff is literally on top of the actors. In the theatre we get to finally take the seats the audience will in viewing the story. Being able to see the big picture focuses things tighter as the aperture widens.

Most importantly, the story will get a chance to breathe. As we adjust, the wings will spread a bit.

Looking forward to this day. But I have to say I’ll miss the intimacy of the work this team has accomplished in that smaller space. There was indeed a palpable tinge of sadness as we wrapped last night.

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome and check out The Lehman Trilogy Diaries here. 

The Lehman Trilogy Diaries: Interpret or Learn?

The other night there was a moment in rehearslal for The Lehman Trilogy that caught me and stood out. The moment is in one of the more comic scenes of the play. Given what’s happening  around and to us in the world these days, the truth behind it isn’t very funny. Then again, sometimes comedy is the best mirror in which to see ourselves.

That moment goes like this:

Young Herbert Lehman is a trouble maker in school for always asking too many questions. His Rabbi asks the class to recite back to him the ten plagues God visited on Egypt. The Rabbi does everything in his power to keep from calling on the young troublemaker, choosing every boy in the class, until at last there’s only Herbert left to regurgitate the answer.

RABBI: I suppose I should hear the last plague from you Herbert Lehman.

HERBERT: HaShem let the children of Egypt die.

RABBI: That’s wrong, Lehman. HaShem did not do that.

HERBERT: Yes he did, Rabbi.

RABBI: No, he didn’t.

As usual, you want to interpret, rather than to learn.

According to the scripture: ‘At midnight HaShem slaughtered

every firstborn in the country of Egypt.’

Every Firstborn is not the same as ALL the children, Lehman.

HERBERT: Whatever it says, Rabbi.

I have a problem with HaShem’s decision.

Why massacre the children of Egypt who were innocent?

RABBI: Lehman…

HERBERT: I have a problem with all of the plagues.

RABBI: Lehman! This is intolerable!

HERBERT: In my opinion, HaShem – instead of wasting time with plagues – should have simply killed the pharaoh…

RABBI: HaShem does not take advice from Herbert Lehman!

“Interpret rather than to learn” is what caught and what catches. For much of our lives, and I daresay for much of the lives of those who’ve populated the planet since humanity wiggled out of the slime we’ve been both blessed and plagued by the margins between “interpreting” and “learning.” Witness current events and how violently we seem to disagree over interpretations of things we’ve supposedly learned.

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome and check out The Lehman Trilogy Diaries here. 

Charged Up Cubism: The Anker 3-in-1 Cube with Magsafe

Cubism is an art form popularized by Pablo Picasso, George Braque, Jen Metzinger and a bevy of other artists. Cubism can be fun and funky. It can also be confusing. Either way it can generate some highly charged opinions. The Anker 3-1-Cube with Magsafe is certainly not what I’d call a work of art, but it is a nifty piece of Magsafe charging tech packaged in a funky little cube.

I received an Anker 3-in-1 Magsafe charging cube as a Christmas gift and am using it on my current month-and-a-half long gig away from home to charge an iPhone, Apple Watch and AirPods. Straight up I like the device quite a bit and am very grateful it was gifted to me.

Right out the box you get a small gray cube. It’s heavier than its roughly 2.5 inch footprint suggests, weighing in at 14.46 ounces. It deceptively makes you think the cube contains a battery, but it does not. It’s solidly built for the most part. Flip open the top and you can attach an iPhone via MagSafe for charging or to use in StandBy mode. You can also just plop your iPhone on top of the cube without flipping up the top. Press in on the small side shelf and out pops a small charging adapter for the Apple Watch. That watch charging shelf does feel a little finicky at times and I’m not sure if pressing it in and out constantly won’t eventually yield to failure. The lid angle is adjustable so using it for viewing something on your iPhone works well. With the lid flipped all the way to its maximum angle you can place your AirPods under that angled lid to charge them up.

Yes, you can charge all three devices at one time. With all three devices charging it takes Cubism into an sort of modern realm. The device comes with a 30-watt charging plug and a decently long cable (5 feet). No this isn’t a mobile charger, it’s meant to be used plugged in, which may mitigate the hefty weight. Anker’s cube supports 15-watt charging for compatible iPhone models and suppots fast charging for Apple Watches as far back as version 7.

The cube is a bit pricey currently running in the $150 range on Amazon, Apple and other outlets. I had looked at this when it first came out and ruled it out for my gadget collection due to the price compared with other options available. One of the things I like about it is the small compact size compared to many other charging stands and mobile charging options currently on the market that tend to look like jewelry stands. Given that some of my gigs require weeks long stays, I’m glad the Anker 3-in-1 Cube with MagSafe was gifted to me. I won’t mind its surprising weight when packing a suitcase, and I do indeed like this quirky, little, somewhat heavy cube quite a bit.

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome.