Media Moves: Netflix Backing Out Should Accelerate The Inevitable

Will it be a comedy or a drama when it debuts on Netflix?

There’s no denying that the insane pedophile rampaging through the last decade of our lives has changed things. It’s unfortunate that we let that occur. While many of us may have seen the potential for all the damage he’s caused, you can say not enough did, but I’ll say instead that not enough cared.

Smartphone screen showing the Paramount logo in sharp focus in the foreground, with a blurred Netflix logo and other colorful streaming imagery in the background, suggesting competition between streaming services.

But here we are. Where is that exactly? We’re witnessing almost daily damage to most things around us that I think too many still think will get magically reversed when he leaves office or leaves this planet, whichever comes first. It will take a few generations to get back to whatever we believed normal was, although I’m not sure there ever was a normal because things always evolved, though by and large at a more sanely digestible pace.

Take for example what’s happening in the media landscape. News that Netflix was going to withdraw from a bidding war for Warner Brothers, effectively clearing the field for Paramount to win the deal is being discussed from a number of perspectives by all the usual and unusual suspects.

Those that wanted Netflix to rise to the challenge and succeed, keeping Warner Brothers away from the MAGAt supporting Ellison family, were depressed and angry. Those who see Netflix as just another evil media empire were oblivously happy. Most just want to know when the next and eventual price increases are coming.

Quite a few are quite concerned about what this will do to CNN and the news landscape. They needn’t be. That Punch and Judy network long since turned over the puppet strings to the wrong masters.

You can argue that this might have happened with or without Trump, but there’s no point in that. What you can’t argue is that this kind of wheeling and dealing will never be the same again now that the Oval Office has become the one stop shop for getting ahead.

I happen to think that in the long run, Netflix pulling out of the bidding is a good thing. The trend lines point away from what we have thought of as traditional media and entertainment. Now that news is entertainment and sports is politics, it’s a circle of cannibals feeding on each other.

As for those concerned about CNN and news coverage in the larger scheme, let’s get real. There are only so many corporate knees one can bend. Yes, CBS and CNN will essentially become the same, but that consolidation is going to be an accelerant tossed on two already burning corpses.

For those concerned about the picture beyond the news game, I think we’ll see the same sort of downward acceleration once things settle in, which won’t be for a while yet. Movies and other entertainment will still get made. We’re in an age of content abundance, yet keep in mind the real winner at the moment is probably YouTube, which continues to steal eyeballs from all the other sources. Note also that audio audiences are listening more to podcasts than talk radio according to some statistics.

My hunch is this latest episode will just quicken the decline for the capitulators and accelerate the trend of consumers making other choices. I can’t wait to watch the extended series about it all on Netflix.

That’s my $.02. It might not be worth half that.

You can also find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome. I can also be found on social media under my name as above.

CNN Will Air George Clooney’s ‘Good Night and Good Luck’ Live From Broadway on June 7

This paradox should be a must watch.

I’d mark your calendar for this one. CNN will be airing George Clooney’s production of the play Good Night, and Good Luck, live on June 7th from the Winter Garden Theatre on Broadway. It will be the first time that a live play performance has been televised.

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The play is adaptation of the 2005 movie of the same name that Clooney co-wrote, directed, and starred in, based on CBS journalist’s Edward R. Murrow’s work to expose Joe McCarthy during the Red Scare in the 1950s. In the movie Clooney played Fred Friendly, Murrow’s producer. On the stage he plays Murrow.

The Broadway production has met with critical acclaim and just recently announced that it had recouped its initial investment during its run that began in March of 2025.

I’m a big fan of the movie (I wrote a little about it here) and imagine I will also be of the stage version. I’m sure the story’s central message of standing up to bullies and demagogues translates just as well in a live version as it does on film.

I’m looking very much forward to watching this and would encourage you to as well. I know there are some who see Clooney as one of the villains in our recent political turmoil. And some see CNN has a willing accomplice to the madness we face. Even with what may seem like all of that irony, I would urge you to set that aside and give Good Night, and Good Luck a watch. As I said then

This isn’t some moment of nostalgia for a time gone by. It is a recognition that where we are now is a place we’ve been before. This time around those that control the media and messaging have, for the moment, much more control than they did in Murrow’s day. Make no mistake, they had some control then, but now it’s more pervasive and the Murrow’s, Friendly’s and Paley’s are fewer in number.

Setting aside the historical significance of this broadcast of a live play, and the paradox between the message and the messengers, I can’t think of a better reason to watch given where we are and will continue to be for some time.

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome. I can also be found on social media under my name as above.