The Lehman Trilogy Diaries: Dancing on the Edge of the Light

We’re right there on the edge. On the edge of completing this production of The Lehman Trilogy. On the edge of creating something special. It’s all there, ready to come into complete focus. Everyone can feel it. It’s like dancing on the border between the light and the dark. One step either way and you have a good show or a great show.

We’ve got two more rehearsals left. Some gaps to close. Some hard decisions to make on those we can’t. The rest is about sharpening the focus. Everyone’s working full tilt.  We’re like the tightrope walker in the play. He eventually falls. We won’t.

Onward.

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome and check out The Lehman Trilogy Diaries here. 

The Lehman Trilogy Diaries: Pure Adrenaline

Adrenaline is a funny thing. It can drive you further and faster. Call it a high. Stories are legion of an adrenaline rush giving folks superhuman-like powers in extreme circumstances. But the bill always comes due once the rush is over and the crash happens.

I’m rehearsing this beast of a play, The Lehman Trilogy, while suffering a bit with a pulled groin. Yeah, that slows you down. During the day I do my usual treatments to ease the pain and get around as best I can doing a bad Walter Brennan impression.  I’ve had this problem before so there’s a ritual and a regime. But in the moments before rehearsals begin I feel things easing up and never notice it at all once we commence and push through rehearsal.

One of the characters in the play ends a monologue with the following:

LEHMAN CORPORATION. Created by Philip Lehman.

Pure finance.

Invest money only to make money. No companies to fund.

No industries to launch. No markets to explore. Pure money.

Pure adrenaline

Well, we all know how that ended.

Sure enough, once rehearsal ends though I pay for it as the pain comes back bit by bit and so it’s back to the ritual. Unitl the next rehearsal. Probably not healthy to be doing things the way I am, but hey, we open a week from tonight.

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome and check out The Lehman Trilogy Diaires here

The Lehman Trilogy Diaries: Jacks of All Trade

When you’re in school (which was ages ago for me) learning your craft and finding out if you have a voice worth sharing as a theatre director, no one teaches you many of the lessons you will one day need to apply in doing what you love. I’m guessing that applies to most pursuits in life. There are times though that can try your patience unless you were brought up with a father like mine who taught you how to deal with the crazy curve balls that get thrown at you from plumbing to staying warm to how to navigate unexpected weather disruptions.

As I sit here this morning in this lovely Southern town beset by the vagaries of winter, compounded with the already slower rhythms native to the region, we’re having lots of fun trying to keep The Lehman Trilogy ship sailing along. Winter weather is playing havoc with all the usual fun things that come with it: icy conditions, burst pipes, power outages, travel and delivery woes, and a pulled groin from bailing water from one of those burst pipes. I’m not blaming anyone for the choices they are making. Life sucks here for most right now and folks have to make their own choices.

Fortunately, we’re reasonably self-contained as an ensemble and have kept our work on course as we head into technical rehearsals this weekend. I’m sure (hope?) we’ll find our footing and head into next weekend’s opening in good shape. Things usually work out that way in this game.

Onward

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome and check out The Lehman Trilogy Diaries here. 

Lehamn Trilogy Diaries: Moving to the Stage

Last night was our final rehearsal for The Lehman Trilogy in the rehearsal room. Rehearsal rooms are often not sufficiently matched to the space a show will occupy on stage which means the first few rehearsals on stage turn into what is called “spacing.” Simply put that means you transfer the staging from a smaller space to a larger one and adjust a few things.

Often that requires quite a few adjustments. This show should require less than most as we gain more space, because our scenic anchors for the action, though somewhat different, have set our parameters and those parameters will be largely intact. It’s also an opportunity to actually stage some moments that just couldn’t be achieved in the confines of a rehearsal room with no ceiling height. This show has an overabundnce of those. That will be what today’s work will be about.

Things will feel different. Things will feel out of sorts. Things will get corrected to find their sorts. And some things will actually take on new meaning as the stage provides new opportunities. What I’ve been seeing in the “little theatre in my mind” that we’ve been rehearsing in the smaller rehearsal room, will now get its chance to take real and actual steps instead of imagined ones.

I’ll also get a chance to get some proper perspective on the story as I simulataneously get closer to it by stepping farther back. In the rehearsal room staff is literally on top of the actors. In the theatre we get to finally take the seats the audience will in viewing the story. Being able to see the big picture focuses things tighter as the aperture widens.

Most importantly, the story will get a chance to breathe. As we adjust, the wings will spread a bit.

Looking forward to this day. But I have to say I’ll miss the intimacy of the work this team has accomplished in that smaller space. There was indeed a palpable tinge of sadness as we wrapped last night.

You can find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome and check out The Lehman Trilogy Diaries here

My Picks Of The Year for 2023

Here’s a list of my favorites of the year in entertainment, books, apps, and a favorite gadget purchase for good measure. I don’t believe in “Best of.” There’s too much good being created by too many good (and some not so good) folks out there, that I just pick favorites. Lots of mediocrity out there, but here’s the cream that rose to the top of my list, though I certainly didn’t see or consume everything.

Movies

  • Oppenheimer
  • Barbie
  • Maestro
  • FinestKind
  • Blackberry

TV and Streaming

  • The Bear
  • Mrs. Davis
  • Drops of God
  • Silo
  • Slow Horses
  • Fargo
  • The Fall of the House of Usher
  • The Last of Us
  • Wes Anderson’s Roald Dahl Shorts on Netflix

These films and streaming shows mentioned above contained some outstanding performances by Carey Mulligan in Maestro and Emily Blunt and Robert Downey, Jr in Oppenheimer. As for Oppenheimer all the hype was about the big boom. I loved it more for the explosive intimacy of the brilliant film making in the human moments. Brilliant acting from that entire ensemble. Also, episodes 7 and 8 of Season 2 of The Bear were two or the richest small screen viewing experiences I think I’ve ever experienced. Masterpiece work.

Books

  • Prequel by Rachel Maddow
  • Undertow by Jeff Sharlett
  • Sapiens Yual Noah Harari
  • The Kingdom, The Power, and the Glory: American Evangelicals in the Age of Extremism by Tim Alberta
  • The Bee Sting by Paul Murray

Apps and Software

  • Paste. A terrific clipboard manager.
  • It’s an update to the iPhone, but The Action Button
  • Ivory. A Mastodon client.
  • IceCubes. Another Mastodon client.
  • Mona. Yet another Mastodon client.
  • Bartender 5 (It’s an update to an oldie, but always goodie)
  • The Double Tap Gesture on the “Is it legal or not legal?” Apple Watch

Gadget Purchase of the Year

GL.iNet Beryl AX (GL-MT3000) Travel Router. Excellent, powerful travel router in a tiny package that belies its size. Helps extend WiFi and provides on board VPN protection while traveling. A huge winner in a small package.

Here’s hoping you enjoy your New Year!

Starting Rehearsals for The Lehman Trilogy

We’re starting rehearsals for The Lehman Trilogy at Playhouse on the Square tomorrow evening with a Zoom session. Big play. Big story. Big anxiety. I wrote a bit about that for the publication Ellemeno on Medium. Hope you check it out. 

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Here’s the link to I Have No Idea What’s Going to Come Out of My Mouth...